During the worst years of the 1960 famine, a group of teachers and students at Lanzhou University decided to publish an underground publication, <i>Spark</i>, to alert Chinese people to the growing disaster and expose the authoritarianism of the Chinese Communist Party. Only two issues of this underground publication were printed before it was broken up as a counter-revolutionary group case and 43 people were arrested.
The author of this book, Tan Chanxue, was a key participant and helped save the memory of <i>Spark</i> from being lost. Tan was the girlfriend of Zhang Chunyuan, the magazine's founder, and participated in key moments of the magazine's short lifespan. She was sentenced to 14 years in prison, but was later released and rehabilitated, and taught at the Jiuquan Teachers' Training School. In 1982, she was transferred to the Dunhuang Research Institute as an associate researcher, and retired in 1998, settling in Shanghai.
It is largely through Tan's efforts that we know about <i>Spark</i>. She was able to look into her personnel file (<i>dang'an</i>), where she discovered the issues of the magazine, as well as confessions of the people arrested, and even her love letters to Zhang. She photographed this material and later it was turned into PDFs, which circulated around China starting in the late 1990s, helping to inspire books and movies.
Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
Lin Zhao, formerly known as Peng Lingzhao, a native of Suzhou, was admitted to the journalism department of Peking University in 1954, but was classified as a Rightist in 1957. She was arrested and imprisoned in October 1960 because of her involvement with the underground magazine <i>Spark</i>. In 1965, Lin Zhao was sentenced to 20 years' imprisonment for "counter-revolutionary crimes." On April 29, 1968, she was sentenced to death and executed on the same day at the age of 36. This book is a collection of more than sixty articles written in memory of Lin Zhao.
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum. This documentary records the attitudes of governments across China towards the play as well as women's perceptions of the play and its connection with their personal experiences. It also highlights the current political and cultural ecology of China.
This collection of diary entries by Wuhan-based filmmaker and activist Ai Xiaoming showcases her life during the early months of the COVID-19 pandemic, from February to March 2020. In these diary entries, Ai shares the daily challenges which many Chinese people grappled with, as well as their hopes and questions for the government and Chinese society at large. Her diary also examines problems regarding the expanding powers of the Chinese government. The first entry of Ai’s diary was published in English by the New Left Review, which can be found here:
https://newleftreview.org/issues/ii122/articles/xiaoming-ai-wuhan-diary.
In March 1989, the book Yangtze Yangtze was published by the Guizhou People's Publishing House just as the Tiananmen student protests were about to begin in Beijing. The book fed into this intellectual ferment, challenging the technocratic reasons for the Three Gorges Dam, which eventually would dam the Yangtze River in the name of flood control and electrical power generation.
The book was edited by the journalist Dai Qing, the daughter of a well-known Communist Party activist and leader. The book challenged the project's decision-making process, with a broad array of scientists, journalists, and intellectuals arguing that it was not democratic and did not take into account all viewpoints. It was widely read in China and translated into foreign languages.
After the Tiananmen protests were violently suppressed, Dai Qing was arrested and imprisoned for ten months in Qincheng Prison as an organizer of the uprising. Yangtze Yangtze was criticized as “promoting bourgeois liberalization, opposing the Four Fundamental Principles (of party control), and creating public opinion for turmoil and riots.” The book was taken off the shelves and destroyed, with some copies burned. It became the first banned book resulting from the decision-making process of the Three Gorges Project.
The book is banned in China. The English-language edition can be read online at Probe International: https://journal.probeinternational.org/three-gorges-probe/yangtze-yangtze/.
On 23 January 2020, the Chinese government imposed a lockdown in Wuhan. On February 1, Zhang Zhan took a train from Shanghai to Wuhan. From then until her arrest by the Shanghai police on May 14, Zhang Zhan continued to document the situation in Wuhan on video at the frontline of the pandemic. On February 7, she launched a YouTube channel under her real name and released her first video, “Claiming the Right to Freedom of Expression,” in memory of Dr. Li Wenliang and in solidarity with citizen journalists Chen Qiusi and Fang Bin, who had been taken away for reporting on COVID-19. She said in the video: “If Chinese citizens still do not have the right to freedom of expression,then we are all Li Wenliang." On the same day, Zhang Zhan received a phone call from Shanghai's state security agency threatening to quarantine her if she continued to speak out online, but she did not give in. By the time she was arrested, Zhang Zhan had posted 122 videos on <a href=”https://www.youtube.com/@%E5%BC%A0%E5%B1%95-y3p/featured”>her YouTube channel</a>. In the videos, she traveled around Wuhan at the height of COVID-19, documenting empty streets, the roar of funeral home incinerators late at night, the desperation of patients with no place to turn for medical care, the arbitrary deprivation of residents’ freedom of movement, and the chaotic and hypocritical nature of government policies. These videos show the world the reality of Wuhan in the early days of the outbreak, and are a precious record of history.