During the worst years of the 1960 famine, a group of teachers and students at Lanzhou University decided to publish an underground publication, <i>Spark</i>, to alert Chinese people to the growing disaster and expose the authoritarianism of the Chinese Communist Party. Only two issues of this underground publication were printed before it was broken up as a counter-revolutionary group case and 43 people were arrested.
The author of this book, Tan Chanxue, was a key participant and helped save the memory of <i>Spark</i> from being lost. Tan was the girlfriend of Zhang Chunyuan, the magazine's founder, and participated in key moments of the magazine's short lifespan. She was sentenced to 14 years in prison, but was later released and rehabilitated, and taught at the Jiuquan Teachers' Training School. In 1982, she was transferred to the Dunhuang Research Institute as an associate researcher, and retired in 1998, settling in Shanghai.
It is largely through Tan's efforts that we know about <i>Spark</i>. She was able to look into her personnel file (<i>dang'an</i>), where she discovered the issues of the magazine, as well as confessions of the people arrested, and even her love letters to Zhang. She photographed this material and later it was turned into PDFs, which circulated around China starting in the late 1990s, helping to inspire books and movies.
Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
Lin Zhao, formerly known as Peng Lingzhao, a native of Suzhou, was admitted to the journalism department of Peking University in 1954, but was classified as a Rightist in 1957. She was arrested and imprisoned in October 1960 because of her involvement with the underground magazine <i>Spark</i>. In 1965, Lin Zhao was sentenced to 20 years' imprisonment for "counter-revolutionary crimes." On April 29, 1968, she was sentenced to death and executed on the same day at the age of 36. This book is a collection of more than sixty articles written in memory of Lin Zhao.
Land reform is one of the important events that affected the course of Chinese history in the twentieth century. Liao Yiwu spent two years on and off from the end of 2005 to complete <i>The Last Landlord</i>. The book comprises interviews with land reform survivors. As the author says, "Based on the degree of physical and mental weakening of the interviewees, I estimate that in another five or six years, the history of the land reform as orally told by those who witnessed it will be completely untraceable."
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum. This documentary records the attitudes of governments across China towards the play as well as women's perceptions of the play and its connection with their personal experiences. It also highlights the current political and cultural ecology of China.
Tang Degang is a historian and biographer who specializes in oral history. In the latter half of his life, he settled in the United States and taught at Columbia University and the City University of New York. In the field of history, he put forward the "Three Gorges Theory of History", which divides the change of Chinese social system into three major stages: feudalism, imperialism, and civil rule. The book was originally titled <i>Mao Zedong's Dictatorship, 1949~1976</i>, but was renamed <i>Thirty Years of New China </i> when it was released on the mainland.
This collection of diary entries by Wuhan-based filmmaker and activist Ai Xiaoming showcases her life during the early months of the COVID-19 pandemic, from February to March 2020. In these diary entries, Ai shares the daily challenges which many Chinese people grappled with, as well as their hopes and questions for the government and Chinese society at large. Her diary also examines problems regarding the expanding powers of the Chinese government. The first entry of Ai’s diary was published in English by the New Left Review, which can be found here:
https://newleftreview.org/issues/ii122/articles/xiaoming-ai-wuhan-diary.