Chinese intellectual Xu Liangying is a scholar of the history of scientific thought and an active warrior in defense of human rights. He weathered China's most extreme political storms and began to speak out again after China opened up slightly in 1977. This book collects his political speeches between 1977-1999. Originally published by Spiegel Publishing in Hong Kong in 2001, the book was later made into a PDF version by Xu Liangying's family in the hope that it would be circulated online to a wider audience.
South side Street near Tiananmen Square in Beijing has long been a gathering place for some homeless people as well as petitioners. The director became involved in the homeless relief charity in 2007, and continued to follow the film, which the director finished editing eight years later. The film was selected for the 12th China Independent Film Festival Documentary Competition.
In the fall of 2005, residents of Taishi Village became increasingly frustrated and angered by the sale of land by village officials; hundreds of villagers signed a petition calling for the removal of the village chief. The villagers occupied the village committee’s financial office and expressed their demands through sit-ins and other forms of protests. The government dispatched the police to arrest village activists, but the villagers insisted on starting a formal recall process. The government finally sent a team to the village to verify the signatures for the petition.
<i>The Taishi Village</i> recall incident generated attention from Chinese and foreign media, and caused uneasiness among local government officials. On September 12, 2005, police arrested dozens of villagers who were participating in a sit-in in the village committee room. Despite the pressure, villagers elected a committee to remove the village committee director. The government then dispatched more men to exert pressure, forcing elected members to withdraw one by one. Hired patrol teams eventually drove lawyers and reporters out of the village.
This documentary records the protest scenes and tragic ending of Taishi village’s movement for autonomy, and presents the surging rights consciousness in rural areas in Guangdong. This incident demonstrates villagers’ ability to exercise their right to vote and the government’s inertial approach to grassroots democracy movements.
This documentary is in Chinese with Chinese subtitles.
Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
He Jiadong is a Chinese publisher. He joined the Chinese Communist Party at an early age. After 1949, he founded the Workers' Publishing House, one of the propaganda mouthpieces of the CCP. In 1957, he was designated as a rightist and later labeled as an anti-Party element. In 1965, Kang Sheng criticized him. He was sent down to Chengwu County in Shandong Province, where he was put under local control for 14 years. During the Cultural Revolution, he was taken back to Beijing and criticized, which affected his family and led to the unnatural death of his mother and two sons. In 1979, after the rightist was corrected and completely rehabilitated, he became the executive vice-president and deputy editor-in-chief of the Workers' Publishing House; in 1983, he founded the monthly <i>Rensheng (Life)</i>. In 1984, he founded <i>Kaituo (Pioneering)</i> magazine. He was investigated for publishing Liu Binyan's <i>The Second Kind of Loyalty</i>, and resigned from his post in 1985. The above weekly newspapers, bimonthly magazines and websites were all suspended and closed by the authorities. He has written a large number of articles exploring China's development path from the end of authoritarianism to constitutional democracy. He himself had a 60-year career as a "red publisher" but never had the freedom to publish. Even his own collection of essays was never published. Until the end of his life, he never saw a printed volume of his essays—the printed books were seized and confiscated by the Chinese authorities.
The book can be purchased <a href="https://www.fellowspress.com/shop1/p/-4"> link</a>.
In the spring of 2022, a wave of COVID-19 exploded in Shanghai. Under the policy of “Zero COVID,” 24 million residents were put under forced lockdown. Filmmakers and reporters used their phones, televisions, the internet, and other materials to capture scenes of lockdown and disputes between officials and civilians in Shanghai. Producers of this short film titled <i>The Memo</i> believe that it is necessary to record this historic episode in order to prevent our memories from fading away.
The production team, which was founded in 2020, strives to create works about the lower classes of Chinese society. <i>The Memo</i> was nominated for the Clermont-Féron Short Film Festival.
<i>The Power of Tiananmen: State-Society Relations and the 1989 Beijing Student Movement</i> is a sociological monograph. It explains the process of the 1989 school movement and interprets the political and economic situation from four perspectives: state legitimacy, ecological environment and mobilization structure, discourse and modes of action, and public opinion. Author Zhao Dingxin interviewed 70 participants in the movement at the time. He also examined many little-known domestic documents. Thus, theory and evidence are closely intertwined.
The book won the 2002 Distinguished Book Award (Collective Action/Social Movements) and the 2001 Distinguished Book Award (Asian and Asian American) from the American Sociological Association.
It is published by the Chinese University of Hong Kong Press.
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum. This documentary records the attitudes of governments across China towards the play as well as women's perceptions of the play and its connection with their personal experiences. It also highlights the current political and cultural ecology of China.
Wukan is a village in Luwei City, under the jurisdiction of Shanwei City, Guangdong Province. From 2011 to 2016, Wukan villagers have continued to fight to protect their land and fight for villagers' rights. Facing strong pressure from the government, some even paid with their lives. In the process, the villagers had elected their own villagers' committee by one person, one vote to practice their democratic rights. Although the protests were eventually suppressed, the impact was far-reaching. Ai Xiaoming rushed to the scene at the beginning of the Wukan incident and left this precious record.
This film follows the stories of environmental activist Tan Zuoren and artist Ai Weiwei. In July 2009, Tan Zuoren was charged with the crime of “Inciting subversion of state power,” and his trial was held in Chengdu, Sichuan Province. Ai Weiwei was invited by Tan’s lawyer to testify in court, but the night before the trial, he was assaulted by the police and detained in a hotel. To everyone’s surprise, Ai turned on the tape recorder before the police entered his residence and managed to record the incident. Later, Ai and his colleagues released a documentary about this incident, titled “Disturbing the Peace” (or “Laoma Tihua”).
This film interviews the people behind the scenes of “Disturbing the Peace,” including the director, photographers, editors, and audiences of the film, who discuss the relationship between citizens and government authority.
This series of films are in Chinese with Chinese subtitles.
How can China build a real civil society? Since 2010, independent director Tiger Temple sat for a series of interviews with scholars and civil society actors.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants since 2010.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants since 2010.