The author of this book, Wang Nianyi (1932 - September 13, 2007), was an expert on the history of the Cultural Revolution. He has a clear understanding of the causes and circumstances of the Cultural Revolution. He is regarded as doing "pioneering work" in China's domestic study of the Cultural Revolution. According to Qizhi's recollection, Wang Nianyi compiled <i>Chronicle of the Cultural Revolution</i>, <i>The First Year of the Cultural Revolution</i>, <i>Dictionary of the Cultural Revolution</i>, <i>Miscellaneous Discourses on the Cultural Revolution</i>, and <i>Research Materials on the Cultural Revolution</i>, which have not been published in China.
This book concerns two Chinese economists, Xue Mingjian and Sun Yefang. Xue Mingjian (1895-1980, former name Xue Epei, he changed his name after joining the volunteer student armies during the 1911 revolution - Mingjian (明剑) meant “to eliminate the Qing government with sword and revenge on behalf of the Ming Dynasty (剑除满清,为朱明报复)” ) was "the founder of modern Chinese national enterprise economics, the pioneer of modern national industry, a civil society activist, educator and scholar" (author's preface). He served as a delegate to the National People's Congress of the Republic of China, Senate member of the Kuomintang, and a popularly elected legislator. Sun Yefang (1908-1983, former name Xue Eguo, he changed his name out of security concern after the incident that he got arrested by KMT when he was a underground CCP member), by contrast, a member of the Communist Party of China, was an important economist in post-1949 China, who was persecuted during the Cultural Revolution and regained attention and respect after the reform and opening-up period. The author tells the story of the two brothers' very different life trajectories, while pointing out that even though they were in different political camps, their concern for and practice of humanitarianism were in fact the same.
The book was first published by China SDX Joint Publishing in 2009, and was to be reprinted by Economic Press China in 2014, but it was censored. The version in our archive is published by Boden House in 2023.
Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
He Jiadong is a Chinese publisher. He joined the Chinese Communist Party at an early age. After 1949, he founded the Workers' Publishing House, one of the propaganda mouthpieces of the CCP. In 1957, he was designated as a rightist and later labeled as an anti-Party element. In 1965, Kang Sheng criticized him. He was sent down to Chengwu County in Shandong Province, where he was put under local control for 14 years. During the Cultural Revolution, he was taken back to Beijing and criticized, which affected his family and led to the unnatural death of his mother and two sons. In 1979, after the rightist was corrected and completely rehabilitated, he became the executive vice-president and deputy editor-in-chief of the Workers' Publishing House; in 1983, he founded the monthly <i>Rensheng (Life)</i>. In 1984, he founded <i>Kaituo (Pioneering)</i> magazine. He was investigated for publishing Liu Binyan's <i>The Second Kind of Loyalty</i>, and resigned from his post in 1985. The above weekly newspapers, bimonthly magazines and websites were all suspended and closed by the authorities. He has written a large number of articles exploring China's development path from the end of authoritarianism to constitutional democracy. He himself had a 60-year career as a "red publisher" but never had the freedom to publish. Even his own collection of essays was never published. Until the end of his life, he never saw a printed volume of his essays—the printed books were seized and confiscated by the Chinese authorities.
The book can be purchased <a href="https://www.fellowspress.com/shop1/p/-4"> link</a>.
Compiled by the Sichuan writer Xiao Shu (b. 1962), this book offers a variety of pro-democracy statements released by the Chinese Communist Party media, including short commentaries, speeches, editorials, and documents from <i>Xinhua Daily, Jiefang Daily, Party History Bulletin</i>, and <i>People's Daily</i> from 1941 to 1946. The essays criticize the Kuomintang government for running a "one-party dictatorship" and promised freedom, democracy and human rights.
The book was published by Shantou University Press in 1999. <a href="https://archive.ph/20220329191611/https://www.rfi.fr/tw/%E4%B8%AD%E5%9C%8B/20130817-%E9%A6%99%E6%B8%AF%E5%A4%A7%E5%AD%B8%E5%86%8D%E7%89%88%E3%80%8A%E6%AD%B7%E5%8F%B2%E7%9A%84%E5%85%88%E8%81%B2%E3%80%8B">According to Xiao Shu</a>, the book was heavily criticized by the then-head of the Propaganda Department, Ding Guangen. The publishing house was temporarily suspended, and copies of the book were destroyed. It was republished in Hong Kong by the Bosi Publishing Group in 2002, and reprinted by the Journalism and Media Studies Center of the University of Hong Kong in 2013.
In the spring of 2022, a wave of COVID-19 exploded in Shanghai. Under the policy of “Zero COVID,” 24 million residents were put under forced lockdown. Filmmakers and reporters used their phones, televisions, the internet, and other materials to capture scenes of lockdown and disputes between officials and civilians in Shanghai. Producers of this short film titled <i>The Memo</i> believe that it is necessary to record this historic episode in order to prevent our memories from fading away.
The production team, which was founded in 2020, strives to create works about the lower classes of Chinese society. <i>The Memo</i> was nominated for the Clermont-Féron Short Film Festival.
<i>The Power of Tiananmen: State-Society Relations and the 1989 Beijing Student Movement</i> is a sociological monograph. It explains the process of the 1989 school movement and interprets the political and economic situation from four perspectives: state legitimacy, ecological environment and mobilization structure, discourse and modes of action, and public opinion. Author Zhao Dingxin interviewed 70 participants in the movement at the time. He also examined many little-known domestic documents. Thus, theory and evidence are closely intertwined.
The book won the 2002 Distinguished Book Award (Collective Action/Social Movements) and the 2001 Distinguished Book Award (Asian and Asian American) from the American Sociological Association.
It is published by the Chinese University of Hong Kong Press.
This book is a compilation of some of Gao Hua's speeches, book reviews, commentaries on current affairs, reviews of student papers, and lecture transcripts. It includes his studies and reflections on themes around revolution, civil war, and nationalism, his comments on the works of Long Yingtai, Wang Dingjun, and Mao Zedong, and his observations on Taiwan's social and political realities during his visits to Taiwan. In addition, the book contains a selection of Gao Hua's lecture notes on the theory and methodology of historiographical research, as well as on the production of official historical narratives and the development of folk history, enabling readers to gain further understanding of the philosophy and methodology behind Gao Hua’s research.
The book was published by Guangxi Normal University Press in November 2015 before the fourth anniversary of Gao Hua's death, for which the publisher was disciplined by the Central Propaganda Department and the State Administration of Press, Publication, Radio, Film and Television.
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum. This documentary records the attitudes of governments across China towards the play as well as women's perceptions of the play and its connection with their personal experiences. It also highlights the current political and cultural ecology of China.
Wukan is a village in Luwei City, under the jurisdiction of Shanwei City, Guangdong Province. From 2011 to 2016, Wukan villagers have continued to fight to protect their land and fight for villagers' rights. Facing strong pressure from the government, some even paid with their lives. In the process, the villagers had elected their own villagers' committee by one person, one vote to practice their democratic rights. Although the protests were eventually suppressed, the impact was far-reaching. Ai Xiaoming rushed to the scene at the beginning of the Wukan incident and left this precious record.
*What Else Did Zhao Ziyang Say - Du zheng's Diary* was published simultaneously in Hong Kong and Taiwan on January 17, 2010 (Hong Kong Tiandi Book Co., Ltd. and Taiwan Printing Literature and Life Magazine Publishing Co). The book is the first to publicize more than 30 unpublished conversations in Zhao Ziyang's recorded oral transcripts, covering a number of major issues. The book is illustrated with a selection of more than 40 rare photographs taken by the author. The book is divided into three parts: upper, middle and lower. It records Zhao Ziyang's exhaustive expressions on topics such as anti-corruption, the nascent bureaucratic capitalist class, federalism, punishment by words, media management, political system reform, and the new leftist trend of thinking.
Author Xin Hao Nian tries to analyze the modern history of China since the Xinhai Revolution. He pointsout that the People's Republic of China (PRC) is a restoration of the authoritarian system, and the Republic of China (ROC) represents China's road to a republic. The first volume of the book defends and clarifies the history of the Kuomintang (KMT), arguing that the KMT is not a "reactionary faction" as claimed by the CCP. The second volume criticizes the revolution and history of the CCP. The book was first printed in 1999 by Blue Sky Publishing House (USA) and reprinted in June 2012 by Hong Kong's Schaefer International Publishing. It is banned on the mainland.
This film follows the stories of environmental activist Tan Zuoren and artist Ai Weiwei. In July 2009, Tan Zuoren was charged with the crime of “Inciting subversion of state power,” and his trial was held in Chengdu, Sichuan Province. Ai Weiwei was invited by Tan’s lawyer to testify in court, but the night before the trial, he was assaulted by the police and detained in a hotel. To everyone’s surprise, Ai turned on the tape recorder before the police entered his residence and managed to record the incident. Later, Ai and his colleagues released a documentary about this incident, titled “Disturbing the Peace” (or “Laoma Tihua”).
This film interviews the people behind the scenes of “Disturbing the Peace,” including the director, photographers, editors, and audiences of the film, who discuss the relationship between citizens and government authority.
This series of films are in Chinese with Chinese subtitles.
How can China build a real civil society? Since 2010, independent director Tiger Temple sat for a series of interviews with scholars and civil society actors.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.