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In 1959, in the desolate Lingyuan area in the western part of Liaoning Province, a group of intellectual rightists from the Shenyang University arrived. There, they were to labor and be reformed alongside criminal prisoners in the prison, while digging mines to build railroads. How did the Communist Party reform the intellectuals? What kind of encounters did these rightist intellectuals go through? Hu Jie's camera restores this history.

This movie captures the lives of miners in small coal mines in the Qilian Mountain area of Qinghai Province. At 3600 meters above sea level, the air here is thin. Miners in the small coal kilns labor hard in a working environment without any protection, and usually get silicosis after 5-10 years of work, thus losing their ability to work. If they die in an accident, their families receive only meager compensation. This is a true record of the survival of China's grassroots laborers in the early 1990s.

Fiber City—the collective name Fujian Textile and Chemical Fiber Factory—was founded in 1971. China's first production in the 1970s, one of the nine Vinylon factories located in Yongan City, Fujian Province, deep in the mountains, 3 kilometers outside the outskirts of the industrial town. Once glorious, it has been gradually lowering its curtains. The old factory buildings are mottled, its young workers are now gray-haired, and many have left. The documentary shows the fate of this big factory during the planned economy.

This film was shot in a village called Maidichong in the mountains of Yunnan Province. The village is inhabited by a community of Miao people who are Christians. 100 years ago, the British missionary, Mr. Burghley, came to this village, fostered the Miao language, and brought faith, education, and medical care to the Miao people. This movie tells this history and how their journey of faith was brutally suppressed during the Cultural Revolution. It also presents the challenges they face today.

This documentary tells the story of the lives of three families of coal miners in the mountains of eastern Sichuan. Winner of the 35th Margaret Mead Movie Director's Award in 2011. Directed by Liu Yuanchen.

As the Lunar New Year approached in 2008, the main north-to-south railway line, the Beijing-Guangzhou line, was halted and the trains stopped running due to tickets being overbooked. With the trains still not running, thousands of migrant workers from Guangdong gathered at the Guangzhou Railway Station, waiting for trains bound for their hometowns. The Guangdong Province government immediately launched an emergency transportation plan. For the first time, the trading center hall where the Canton Fair was held was transformed into a waiting room for migrant workers. Many volunteers provided services to relieve the fears of worried migrant workers.  The crowd began to panic as rumors swirled, and people were trampled underfoot. One was a young female worker, Li Hongxia. Another migrant, Li Manjun, who was eager to travel home to get married, was electrocuted and died after attempting to jump onto the train. This documentary records the chaos at the Guangzhou Railway Station during the Lunar New Year’s Eve period, from January 27 to February 6, 2008. The filmmaker also visited Shenzhen, Shaoguan, Ruyuan, as well as conducted interviews in victims’ hometowns in Jianli, Hubei, and the rural regions of Yueyang, Hunan. This film is in Chinese with both English and Chinese subtitles.

Wukan is a village in Luwei City, under the jurisdiction of Shanwei City, Guangdong Province. From 2011 to 2016, Wukan villagers have continued to fight to protect their land and fight for villagers' rights. Facing strong pressure from the government, some even paid with their lives. In the process, the villagers had elected their own villagers' committee by one person, one vote to practice their democratic rights. Although the protests were eventually suppressed, the impact was far-reaching. Ai Xiaoming rushed to the scene at the beginning of the Wukan incident and left this precious record.