This documentary records the stories of the 2008 Sichuan earthquake. The narrators mainly consist of the parents of students who fell victim to the earthquake, and the film is interspersed with comments from media workers, independent scholars, internet authors, geologists, and environmental protection and legal workers. They expressed their views on the Sichuan earthquake from different perspectives.
This film is in Chinese with Chinese subtitles.
Wang Yi, of Chengdu, Sichuan Province, is a well-known Chinese intellectual who later became a pastor. The Early Rain Reformed Church that he led was one of the most famous unregistered churches in China. The church occupied the floor of an office building in Chengdu and had its own bookstore, seminary, and pre-school. It regularly had services of hundreds of people. Later, the church had internal conflicts, while at the same time Wang became more outspoken in his criticism of the government. In 2018, he criticized Xi Jinping for abolishing term limits and allowing himself to become ruler of China for life. Pastor Wang was sentenced to nine years in prison in 2019.
This book is based on the recordings of Pastor Wang's classes at Early Rain in 2018. The first five chapters were reviewed by Pastor Wang himself, but he was arrested before he could complete the review of the last five chapters. The essays cover key issues that concerned Wang, including the role of the church in China as a city on the hill, the role of the Reform church in China, and the history of unregistered churches in China.
After retiring from her job as a cadre, Wang Lihong fulfilled what she saw as her civic responsibility to become more active in women’s rights in China, especially the protection of their legal rights. In 2009-2010, she became involved in the “Fujian Netizen Case,” which resulted in the arrest of three human rights activists, who all sought to investigate the death of a 25-year-old women believed to have been murdered in a gang rape by men associated with the local police. Wang Lihong wrote letters to the General Secretary of the Fujian Provincial Committee of the Communist Party of China every day for nine consecutive days, calling on the authorities to let them go home for the New Year. For this reason, she was criminally detained by the authorities in March 2011 on suspicion of "picking quarrels and provoking trouble." The case was heard by the Beijing, Chaoyang District People's Court on August 12; nearly a month later, on September 9, the court issued a guilty verdict and sentenced Wang Lihong to nine months in prison. The film documents her case, and raises questions about the accountability of the local government and police. Another one of Ai Xiaoming’s films, “Let the Sunshine Reach the Earth,” documents Wang Lihong’s trial process in more detail.
This film is in Chinese with Chinese subtitles.
Chinese intellectual Xu Liangying is a scholar of the history of scientific thought and an active warrior in defense of human rights. He weathered China's most extreme political storms and began to speak out again after China opened up slightly in 1977. This book collects his political speeches between 1977-1999. Originally published by Spiegel Publishing in Hong Kong in 2001, the book was later made into a PDF version by Xu Liangying's family in the hope that it would be circulated online to a wider audience.
In this book, author Wang Lixiong presents his arguments with a great deal of personal experience and field work. The book covers the history of the Tibetan issue, the current situation, and various aspects. The book was first published by Mirror Books in Hong Kong in 1998, and an updated edition was released in 2009.
This film was shot in a village called Maidichong in the mountains of Yunnan Province. The village is inhabited by a community of Miao people who are Christians. 100 years ago, the British missionary, Mr. Burghley, came to this village, fostered the Miao language, and brought faith, education, and medical care to the Miao people. This movie tells this history and how their journey of faith was brutally suppressed during the Cultural Revolution. It also presents the challenges they face today.
South side Street near Tiananmen Square in Beijing has long been a gathering place for some homeless people as well as petitioners. The director became involved in the homeless relief charity in 2007, and continued to follow the film, which the director finished editing eight years later. The film was selected for the 12th China Independent Film Festival Documentary Competition.
In the fall of 2005, residents of Taishi Village became increasingly frustrated and angered by the sale of land by village officials; hundreds of villagers signed a petition calling for the removal of the village chief. The villagers occupied the village committee’s financial office and expressed their demands through sit-ins and other forms of protests. The government dispatched the police to arrest village activists, but the villagers insisted on starting a formal recall process. The government finally sent a team to the village to verify the signatures for the petition.
<i>The Taishi Village</i> recall incident generated attention from Chinese and foreign media, and caused uneasiness among local government officials. On September 12, 2005, police arrested dozens of villagers who were participating in a sit-in in the village committee room. Despite the pressure, villagers elected a committee to remove the village committee director. The government then dispatched more men to exert pressure, forcing elected members to withdraw one by one. Hired patrol teams eventually drove lawyers and reporters out of the village.
This documentary records the protest scenes and tragic ending of Taishi village’s movement for autonomy, and presents the surging rights consciousness in rural areas in Guangdong. This incident demonstrates villagers’ ability to exercise their right to vote and the government’s inertial approach to grassroots democracy movements.
This documentary is in Chinese with Chinese subtitles.
Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
He Jiadong is a Chinese publisher. He joined the Chinese Communist Party at an early age. After 1949, he founded the Workers' Publishing House, one of the propaganda mouthpieces of the CCP. In 1957, he was designated as a rightist and later labeled as an anti-Party element. In 1965, Kang Sheng criticized him. He was sent down to Chengwu County in Shandong Province, where he was put under local control for 14 years. During the Cultural Revolution, he was taken back to Beijing and criticized, which affected his family and led to the unnatural death of his mother and two sons. In 1979, after the rightist was corrected and completely rehabilitated, he became the executive vice-president and deputy editor-in-chief of the Workers' Publishing House; in 1983, he founded the monthly <i>Rensheng (Life)</i>. In 1984, he founded <i>Kaituo (Pioneering)</i> magazine. He was investigated for publishing Liu Binyan's <i>The Second Kind of Loyalty</i>, and resigned from his post in 1985. The above weekly newspapers, bimonthly magazines and websites were all suspended and closed by the authorities. He has written a large number of articles exploring China's development path from the end of authoritarianism to constitutional democracy. He himself had a 60-year career as a "red publisher" but never had the freedom to publish. Even his own collection of essays was never published. Until the end of his life, he never saw a printed volume of his essays—the printed books were seized and confiscated by the Chinese authorities.
The book can be purchased <a href="https://www.fellowspress.com/shop1/p/-4"> link</a>.
In the spring of 2022, a wave of COVID-19 exploded in Shanghai. Under the policy of “Zero COVID,” 24 million residents were put under forced lockdown. Filmmakers and reporters used their phones, televisions, the internet, and other materials to capture scenes of lockdown and disputes between officials and civilians in Shanghai. Producers of this short film titled <i>The Memo</i> believe that it is necessary to record this historic episode in order to prevent our memories from fading away.
The production team, which was founded in 2020, strives to create works about the lower classes of Chinese society. <i>The Memo</i> was nominated for the Clermont-Féron Short Film Festival.
<i>The Power of Tiananmen: State-Society Relations and the 1989 Beijing Student Movement</i> is a sociological monograph. It explains the process of the 1989 school movement and interprets the political and economic situation from four perspectives: state legitimacy, ecological environment and mobilization structure, discourse and modes of action, and public opinion. Author Zhao Dingxin interviewed 70 participants in the movement at the time. He also examined many little-known domestic documents. Thus, theory and evidence are closely intertwined.
The book won the 2002 Distinguished Book Award (Collective Action/Social Movements) and the 2001 Distinguished Book Award (Asian and Asian American) from the American Sociological Association.
It is published by the Chinese University of Hong Kong Press.
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum. This documentary records the attitudes of governments across China towards the play as well as women's perceptions of the play and its connection with their personal experiences. It also highlights the current political and cultural ecology of China.
Wukan is a village in Luwei City, under the jurisdiction of Shanwei City, Guangdong Province. From 2011 to 2016, Wukan villagers have continued to fight to protect their land and fight for villagers' rights. Facing strong pressure from the government, some even paid with their lives. In the process, the villagers had elected their own villagers' committee by one person, one vote to practice their democratic rights. Although the protests were eventually suppressed, the impact was far-reaching. Ai Xiaoming rushed to the scene at the beginning of the Wukan incident and left this precious record.
Traveling Chinese history scholar Li Jianglin began working on the Tibet issue in 2004. She has traveled to India every year in search of Tibetan refugees, visited 14 Tibetan refugee settlements in India and Nepal, contacted more than 200 exiled Tibetans from the three regions of Tibet, and personally interviewed the Dalai Lama in Dharamsala, the seat of the Tibetan government-in-exile, in 2008. In 2010, Li Jianglin completed her book <i>Lhasa 1959!</i> by drawing on interviews, information searches, and rare historical photographs provided by the Tibetan government in exile, in the hope of reconstructing the little-known history of the Dalai Lama's departure from Tibet in 1959. The book was published by Taiwan's Lianjing Publishing House in 2010 and reprinted in 2016.
Around the eighth century A.D., the founder of Tibetan Buddhism, Guru Rinpoche, prophesied, "When the iron bird flies in the sky and the iron horse runs on the earth, the Tibetans will be dispersed all over the world like ants, and the Buddha's Dharma will be spread into the land of the red people." More than 1,000 years later, in the middle of the 20th century, the Chinese Communist Party drove the "iron bird" across the sky and rode the "iron horse" across the plateau. The Tibetans courageously rose up to resist resulting in with countless deaths countless deaths. Those who survived were forced to leave their homeland and live in exile in India, drifting around the world. Thus, the prophecy came true. From a military point of view, the Tibetan war in Tibet was a victory, but it received only minimal publicity. The official version of the Party's history is either vague or evasive about the bloody massacre during the entry into Tibet, attempting to cover it up by "suppressing armed rebellion" and "purging counter-revolutionaries". More than sixty years later, this war has yet to be demystified. Li Jianglin, an independent scholar, was moved by the tragedy of the war and the plight of the Tibetans, and endeavored to restore the historical facts. Since 2004, she has devoted herself to research, visiting hundreds of Tibetan elders, searching for tens of thousands of historical materials, collecting military archives, and comparing them with the official published materials of the Communist Party of China, in order to present memories of past, little by little.
Author Xin Hao Nian tries to analyze the modern history of China since the Xinhai Revolution. He pointsout that the People's Republic of China (PRC) is a restoration of the authoritarian system, and the Republic of China (ROC) represents China's road to a republic. The first volume of the book defends and clarifies the history of the Kuomintang (KMT), arguing that the KMT is not a "reactionary faction" as claimed by the CCP. The second volume criticizes the revolution and history of the CCP. The book was first printed in 1999 by Blue Sky Publishing House (USA) and reprinted in June 2012 by Hong Kong's Schaefer International Publishing. It is banned on the mainland.
This film follows the stories of environmental activist Tan Zuoren and artist Ai Weiwei. In July 2009, Tan Zuoren was charged with the crime of “Inciting subversion of state power,” and his trial was held in Chengdu, Sichuan Province. Ai Weiwei was invited by Tan’s lawyer to testify in court, but the night before the trial, he was assaulted by the police and detained in a hotel. To everyone’s surprise, Ai turned on the tape recorder before the police entered his residence and managed to record the incident. Later, Ai and his colleagues released a documentary about this incident, titled “Disturbing the Peace” (or “Laoma Tihua”).
This film interviews the people behind the scenes of “Disturbing the Peace,” including the director, photographers, editors, and audiences of the film, who discuss the relationship between citizens and government authority.
This series of films are in Chinese with Chinese subtitles.
How can China build a real civil society? Since 2010, independent director Tiger Temple sat for a series of interviews with scholars and civil society actors.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.