During the worst years of the 1960 famine, a group of teachers and students at Lanzhou University decided to publish an underground publication, <i>Spark</i>, to alert Chinese people to the growing disaster and expose the authoritarianism of the Chinese Communist Party. Only two issues of this underground publication were printed before it was broken up as a counter-revolutionary group case and 43 people were arrested.
The author of this book, Tan Chanxue, was a key participant and helped save the memory of <i>Spark</i> from being lost. Tan was the girlfriend of Zhang Chunyuan, the magazine's founder, and participated in key moments of the magazine's short lifespan. She was sentenced to 14 years in prison, but was later released and rehabilitated, and taught at the Jiuquan Teachers' Training School. In 1982, she was transferred to the Dunhuang Research Institute as an associate researcher, and retired in 1998, settling in Shanghai.
It is largely through Tan's efforts that we know about <i>Spark</i>. She was able to look into her personnel file (<i>dang'an</i>), where she discovered the issues of the magazine, as well as confessions of the people arrested, and even her love letters to Zhang. She photographed this material and later it was turned into PDFs, which circulated around China starting in the late 1990s, helping to inspire books and movies.
The authors of this book, Yan Jiaqi and Gao Gao, are a married couple. Both are scholars at the Chinese Academy of Social Sciences (CASS). Yan was the first director of the Institute of Political Science at the CASS and was involved in the Political Reform Office under Premier Zhao Ziyang. The couple went into exile in the U.S. after the June 4 Incident. The book was published by the Tianjin Publishing House in 1986. With a circulation of more than one million copies, many people began to learn about the full history of the Cultural Revolution from this book.
The author of this book, Wang Nianyi (1932 - September 13, 2007), was an expert on the history of the Cultural Revolution. He has a clear understanding of the causes and circumstances of the Cultural Revolution. He is regarded as doing "pioneering work" in China's domestic study of the Cultural Revolution. According to Qizhi's recollection, Wang Nianyi compiled <i>Chronicle of the Cultural Revolution</i>, <i>The First Year of the Cultural Revolution</i>, <i>Dictionary of the Cultural Revolution</i>, <i>Miscellaneous Discourses on the Cultural Revolution</i>, and <i>Research Materials on the Cultural Revolution</i>, which have not been published in China.
This book concerns two Chinese economists, Xue Mingjian and Sun Yefang. Xue Mingjian (1895-1980, former name Xue Epei, he changed his name after joining the volunteer student armies during the 1911 revolution - Mingjian (明剑) meant “to eliminate the Qing government with sword and revenge on behalf of the Ming Dynasty (剑除满清,为朱明报复)” ) was "the founder of modern Chinese national enterprise economics, the pioneer of modern national industry, a civil society activist, educator and scholar" (author's preface). He served as a delegate to the National People's Congress of the Republic of China, Senate member of the Kuomintang, and a popularly elected legislator. Sun Yefang (1908-1983, former name Xue Eguo, he changed his name out of security concern after the incident that he got arrested by KMT when he was a underground CCP member), by contrast, a member of the Communist Party of China, was an important economist in post-1949 China, who was persecuted during the Cultural Revolution and regained attention and respect after the reform and opening-up period. The author tells the story of the two brothers' very different life trajectories, while pointing out that even though they were in different political camps, their concern for and practice of humanitarianism were in fact the same.
The book was first published by China SDX Joint Publishing in 2009, and was to be reprinted by Economic Press China in 2014, but it was censored. The version in our archive is published by Boden House in 2023.
Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
Lin Zhao, formerly known as Peng Lingzhao, a native of Suzhou, was admitted to the journalism department of Peking University in 1954, but was classified as a Rightist in 1957. She was arrested and imprisoned in October 1960 because of her involvement with the underground magazine <i>Spark</i>. In 1965, Lin Zhao was sentenced to 20 years' imprisonment for "counter-revolutionary crimes." On April 29, 1968, she was sentenced to death and executed on the same day at the age of 36. This book is a collection of more than sixty articles written in memory of Lin Zhao.
The author, Wu Yue, was the editor of several media including Yuwen Chubanshe. This book, as his memoir, recreates his personal destiny in different social situations, including the anti-rightist and Cultural Revolution and other special times, the frustrations of a generation of intellectuals held hostage in the political wave. The book tells the story of the author's many marriages and love affairs under special political circumstances. It also analyzes the deformity and absurdity of the political re-education through the labor system as well as the impact on humanity.
After the outbreak of the Cultural Revolution in 1966, 1,700 Chinese urban youths were deported to the countryside from 1968 to 1980. This was an organized population transfer and a radical political movement that was named the "Going to the Countryside" movement. It was unprecedented. The movement had a profound impact on a whole generation of young people in China's towns and cities. Not only did it disrupt their lives and deprive them of education, it also affected their families and society as a whole. This book by French sinologist Michel Bonnin reveals the ins and outs of this movement. It also explores its deep imprint on China's society, politics, and economy as well as the historical place it occupies.
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum. This documentary records the attitudes of governments across China towards the play as well as women's perceptions of the play and its connection with their personal experiences. It also highlights the current political and cultural ecology of China.
Tang Degang is a historian and biographer who specializes in oral history. In the latter half of his life, he settled in the United States and taught at Columbia University and the City University of New York. In the field of history, he put forward the "Three Gorges Theory of History", which divides the change of Chinese social system into three major stages: feudalism, imperialism, and civil rule. The book was originally titled <i>Mao Zedong's Dictatorship, 1949~1976</i>, but was renamed <i>Thirty Years of New China </i> when it was released on the mainland.
On August 5, 1966, Bian Zhongyun, a 50-year-old vice principal of the Girls High School affiliated with Beijing Normal University, was beaten to death. The murder was by some of her students, a group of female Red Guards from the school. Bian was the first educator to be killed in Beijing during the Cultural Revolution. The night Bian was killed, Deng Xiaoping's two daughters, Deng Nan and Deng Rong, found Bian's husband and told him that they could only say that Bian died of high blood pressure due to illness, but not that Bian was killed. In the end, no one was criminally prosecuted.
This film is widely regarded as one of Hu Jie's most famous for its portrayal of Bian's husband, Wang Jingyao, and his efforts to document his wife's murder.
Follow director Hu Jie on his <a href="https://www.youtube.com/@jiehu6613">YouTube channel</a>.
Wang Nianyi is an expert on the history of the Cultural Revolution in China. Early on, he suggested that Lin Biao's defection was forced by Mao Zedong. This has long been considered a taboo view in China.
Author Xin Hao Nian tries to analyze the modern history of China since the Xinhai Revolution. He pointsout that the People's Republic of China (PRC) is a restoration of the authoritarian system, and the Republic of China (ROC) represents China's road to a republic. The first volume of the book defends and clarifies the history of the Kuomintang (KMT), arguing that the KMT is not a "reactionary faction" as claimed by the CCP. The second volume criticizes the revolution and history of the CCP. The book was first printed in 1999 by Blue Sky Publishing House (USA) and reprinted in June 2012 by Hong Kong's Schaefer International Publishing. It is banned on the mainland.
This collection of diary entries by Wuhan-based filmmaker and activist Ai Xiaoming showcases her life during the early months of the COVID-19 pandemic, from February to March 2020. In these diary entries, Ai shares the daily challenges which many Chinese people grappled with, as well as their hopes and questions for the government and Chinese society at large. Her diary also examines problems regarding the expanding powers of the Chinese government. The first entry of Ai’s diary was published in English by the New Left Review, which can be found here:
https://newleftreview.org/issues/ii122/articles/xiaoming-ai-wuhan-diary.
This magazine was one of most important alternative history journals. It was founded in 1991 by a liberal faction in the CCP, with the help of people such as Xiao Ke, a general in the PLA, and Du Daozheng, a Chinese journalist who once served as head of Guangming Daily and the head of the National Press and Publications Administration of China. It attracted the support of other liberal CCP members, such as Xi Zhongxun, the father of Xi Jinping, and for many years its chief editor was the famous Chinese journalist Yang Jisheng.
The journal had upwards of 200,000 readers a month. In 2016 its reform-oriented management was dismissed as part of a crackdown on alternative histories.
The China Unofficial Archives has a complete set of <i>Yanhuang Chunqiu</i> in its database. Over time, we will index the individual issues and hope to provide English summaries.
On 23 January 2020, the Chinese government imposed a lockdown in Wuhan. On February 1, Zhang Zhan took a train from Shanghai to Wuhan. From then until her arrest by the Shanghai police on May 14, Zhang Zhan continued to document the situation in Wuhan on video at the frontline of the pandemic. On February 7, she launched a YouTube channel under her real name and released her first video, “Claiming the Right to Freedom of Expression,” in memory of Dr. Li Wenliang and in solidarity with citizen journalists Chen Qiusi and Fang Bin, who had been taken away for reporting on COVID-19. She said in the video: “If Chinese citizens still do not have the right to freedom of expression,then we are all Li Wenliang." On the same day, Zhang Zhan received a phone call from Shanghai's state security agency threatening to quarantine her if she continued to speak out online, but she did not give in. By the time she was arrested, Zhang Zhan had posted 122 videos on <a href=”https://www.youtube.com/@%E5%BC%A0%E5%B1%95-y3p/featured”>her YouTube channel</a>. In the videos, she traveled around Wuhan at the height of COVID-19, documenting empty streets, the roar of funeral home incinerators late at night, the desperation of patients with no place to turn for medical care, the arbitrary deprivation of residents’ freedom of movement, and the chaotic and hypocritical nature of government policies. These videos show the world the reality of Wuhan in the early days of the outbreak, and are a precious record of history.