The Red Guard movement originated in the Tsinghua University Affiliated High School, a secondary school for faculty and staff of the university, as well as others aspiring to attend the elite university, including the sons and daughters of high-ranking cadres. Song Bailin was a senior high school student at Tsinghua High School, one of the founders and a core member of the Red Guards.
Song kept a diary during the first years of the Cultural Revolution. Yu Ruxin, a researcher of the Cultural Revolution, felt that a section of Song Berlin's diary involving the Red Guards of Tsinghua High School was of historical value. Yu decided to publish the diary in its entirety as it was, with no deletion except for the correction of obvious typos. The diary covers the period from May 1966 to February 1968, the launching phase of the Cultural Revolution. A selection of diary entries from January to April 1966 has been included to give a better understanding of the political climate in China on the eve of the Cultural Revolution as well as the ideological trends of high school students.
Because the diary is a historic document directly from an era that is now more than half a century old, the diary lacks historical background and footnotes that might help current readers understand the context of that time. Fortunately, the current publication has a preface written by Luo Xiaohai, who explains the political atmosphere in the years leading up to the Cultural Revolution and some of the key events of that time.
For readers today, the diaries are at times hard to decipher. The Red Guards quickly were criticized by others, including those in power. As the writer Hu Ping notes <a href="https://www.rfa.org/mandarin/pinglun/huping/Hu_ping-20071112.html">in a 2007 review of the book</a>, the reversal of support for the Red Guards must have caused confusion and even a sense of betrayal by many involved. The diary, however, reveals none of this inner turmoil, Hu Ping ascribes the Red Guards' silence to the fact that keeping a diary in that era was a way for participants to prove their revolutionary zeal. Thus they self-censored and wrote with the expectation that their words would be discovered and could be used against them. This means the diary provides little in the way of psychological insights in the Red Guards.
It does, however, provide a way of understanding how totalitarian terror and power works on individual psychology. Thus when his classmates beat classmates and teachers, Song expressed embarrassment that he lacked their fervor and did not participate. This means that the diary is best seen as a primary document that shows the way young people thought at that time, rather than an exercise in self-reflection or criticism.
This volume is authored by Bu Weihua. Bu Weihua was the originator of the Red Guards and the Red Guard movement. He became a member of the Red Guards at Tsinghua High School. After the end of the Cultural Revolution, he received professional training in history and was one of the first scholars in China to engage in the study of the Cultural Revolution. He not only understands the pre-Cultural Revolution period, especially the Red Guard movement in Beijing, but also has deep reflections on the catastrophe he experienced. This volume concisely depicts the panoramic images and processes of the Cultural Revolution from May 1966 to April 1969.
This film was shot in a village called Maidichong in the mountains of Yunnan Province. The village is inhabited by a community of Miao people who are Christians. 100 years ago, the British missionary, Mr. Burghley, came to this village, fostered the Miao language, and brought faith, education, and medical care to the Miao people. This movie tells this history and how their journey of faith was brutally suppressed during the Cultural Revolution. It also presents the challenges they face today.
South side Street near Tiananmen Square in Beijing has long been a gathering place for some homeless people as well as petitioners. The director became involved in the homeless relief charity in 2007, and continued to follow the film, which the director finished editing eight years later. The film was selected for the 12th China Independent Film Festival Documentary Competition.
<i>Spark</i> tells the story of a group of young intellectuals who risked their lives to voice their opinions about the Chinese Communist Party in the 1950s and 1960s. Following the Hundred Flowers Campaign of 1957, many intellectuals were branded as Rightists and banished to work and live in rural China. A group of students from Lanzhou University were among those sent to the countryside. There, they witnessed mass famine which resulted from government policies to collectivize agriculture and force industrialization in rural China. Shocked and angered by the government’s lack of response to the Great Famine, these students banded together to publish <i>Spark</i>, an underground magazine that sought to alert the Chinese population of the unfolding famine. The first issue, printed in 1960, included poems and articles analyzing the root causes of failed policies. However, as the first issue of <i>Spark</i> was mailed and the second issue was edited, many of these students, along with locals who supported the team, were arrested. Some of the key members of the publication were sentenced to life imprisonment and later executed, while others spent decades in labor camps.
In this 2014 documentary, Hu Jie uncovers the stories of the people involved in the publication of <i>Spark</i>. He conducts interviews with former members of the magazine who survived persecution, and also shows footage of the manuscripts of the magazine. A digital copy of the original manuscript of the first volume of <i>Spark</i> is also held on our website.
This film was awarded the Special Jury Prize for Chinese Documentary at the 2014 Taiwan International Documentary Film Festival and the Award of Excellence in the Asian Competition. Later, it won the Independent Spirit Award at the Beijing Independent Film Festival.
During the worst years of the 1960 famine, a group of teachers and students at Lanzhou University decided to publish an underground publication, <i>Spark</i>, to alert Chinese people to the growing disaster and expose the authoritarianism of the Chinese Communist Party. Only two issues of this underground publication were printed before it was broken up as a counter-revolutionary group case and 43 people were arrested.
The author of this book, Tan Chanxue, was a key participant and helped save the memory of <i>Spark</i> from being lost. Tan was the girlfriend of Zhang Chunyuan, the magazine's founder, and participated in key moments of the magazine's short lifespan. She was sentenced to 14 years in prison, but was later released and rehabilitated, and taught at the Jiuquan Teachers' Training School. In 1982, she was transferred to the Dunhuang Research Institute as an associate researcher, and retired in 1998, settling in Shanghai.
It is largely through Tan's efforts that we know about <i>Spark</i>. She was able to look into her personnel file (<i>dang'an</i>), where she discovered the issues of the magazine, as well as confessions of the people arrested, and even her love letters to Zhang. She photographed this material and later it was turned into PDFs, which circulated around China starting in the late 1990s, helping to inspire books and movies.
In the fall of 2005, residents of Taishi Village became increasingly frustrated and angered by the sale of land by village officials; hundreds of villagers signed a petition calling for the removal of the village chief. The villagers occupied the village committee’s financial office and expressed their demands through sit-ins and other forms of protests. The government dispatched the police to arrest village activists, but the villagers insisted on starting a formal recall process. The government finally sent a team to the village to verify the signatures for the petition.
<i>The Taishi Village</i> recall incident generated attention from Chinese and foreign media, and caused uneasiness among local government officials. On September 12, 2005, police arrested dozens of villagers who were participating in a sit-in in the village committee room. Despite the pressure, villagers elected a committee to remove the village committee director. The government then dispatched more men to exert pressure, forcing elected members to withdraw one by one. Hired patrol teams eventually drove lawyers and reporters out of the village.
This documentary records the protest scenes and tragic ending of Taishi village’s movement for autonomy, and presents the surging rights consciousness in rural areas in Guangdong. This incident demonstrates villagers’ ability to exercise their right to vote and the government’s inertial approach to grassroots democracy movements.
This documentary is in Chinese with Chinese subtitles.
The authors of this book, Yan Jiaqi and Gao Gao, are a married couple. Both are scholars at the Chinese Academy of Social Sciences (CASS). Yan was the first director of the Institute of Political Science at the CASS and was involved in the Political Reform Office under Premier Zhao Ziyang. The couple went into exile in the U.S. after the June 4 Incident. The book was published by the Tianjin Publishing House in 1986. With a circulation of more than one million copies, many people began to learn about the full history of the Cultural Revolution from this book.
The author of this book, Wang Nianyi (1932 - September 13, 2007), was an expert on the history of the Cultural Revolution. He has a clear understanding of the causes and circumstances of the Cultural Revolution. He is regarded as doing "pioneering work" in China's domestic study of the Cultural Revolution. According to Qizhi's recollection, Wang Nianyi compiled <i>Chronicle of the Cultural Revolution</i>, <i>The First Year of the Cultural Revolution</i>, <i>Dictionary of the Cultural Revolution</i>, <i>Miscellaneous Discourses on the Cultural Revolution</i>, and <i>Research Materials on the Cultural Revolution</i>, which have not been published in China.
This book concerns two Chinese economists, Xue Mingjian and Sun Yefang. Xue Mingjian (1895-1980, former name Xue Epei, he changed his name after joining the volunteer student armies during the 1911 revolution - Mingjian (明剑) meant “to eliminate the Qing government with sword and revenge on behalf of the Ming Dynasty (剑除满清,为朱明报复)” ) was "the founder of modern Chinese national enterprise economics, the pioneer of modern national industry, a civil society activist, educator and scholar" (author's preface). He served as a delegate to the National People's Congress of the Republic of China, Senate member of the Kuomintang, and a popularly elected legislator. Sun Yefang (1908-1983, former name Xue Eguo, he changed his name out of security concern after the incident that he got arrested by KMT when he was a underground CCP member), by contrast, a member of the Communist Party of China, was an important economist in post-1949 China, who was persecuted during the Cultural Revolution and regained attention and respect after the reform and opening-up period. The author tells the story of the two brothers' very different life trajectories, while pointing out that even though they were in different political camps, their concern for and practice of humanitarianism were in fact the same.
The book was first published by China SDX Joint Publishing in 2009, and was to be reprinted by Economic Press China in 2014, but it was censored. The version in our archive is published by Boden House in 2023.
Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
The author, Wu Yue, was the editor of several media including Yuwen Chubanshe. This book, as his memoir, recreates his personal destiny in different social situations, including the anti-rightist and Cultural Revolution and other special times, the frustrations of a generation of intellectuals held hostage in the political wave. The book tells the story of the author's many marriages and love affairs under special political circumstances. It also analyzes the deformity and absurdity of the political re-education through the labor system as well as the impact on humanity.
After the outbreak of the Cultural Revolution in 1966, 1,700 Chinese urban youths were deported to the countryside from 1968 to 1980. This was an organized population transfer and a radical political movement that was named the "Going to the Countryside" movement. It was unprecedented. The movement had a profound impact on a whole generation of young people in China's towns and cities. Not only did it disrupt their lives and deprive them of education, it also affected their families and society as a whole. This book by French sinologist Michel Bonnin reveals the ins and outs of this movement. It also explores its deep imprint on China's society, politics, and economy as well as the historical place it occupies.
Tang Degang is a historian and biographer who specializes in oral history. In the latter half of his life, he settled in the United States and taught at Columbia University and the City University of New York. In the field of history, he put forward the "Three Gorges Theory of History", which divides the change of Chinese social system into three major stages: feudalism, imperialism, and civil rule. The book was originally titled <i>Mao Zedong's Dictatorship, 1949~1976</i>, but was renamed <i>Thirty Years of New China </i> when it was released on the mainland.
On August 5, 1966, Bian Zhongyun, a 50-year-old vice principal of the Girls High School affiliated with Beijing Normal University, was beaten to death. The murder was by some of her students, a group of female Red Guards from the school. Bian was the first educator to be killed in Beijing during the Cultural Revolution. The night Bian was killed, Deng Xiaoping's two daughters, Deng Nan and Deng Rong, found Bian's husband and told him that they could only say that Bian died of high blood pressure due to illness, but not that Bian was killed. In the end, no one was criminally prosecuted.
This film is widely regarded as one of Hu Jie's most famous for its portrayal of Bian's husband, Wang Jingyao, and his efforts to document his wife's murder.
Follow director Hu Jie on his <a href="https://www.youtube.com/@jiehu6613">YouTube channel</a>.
Wukan is a village in Luwei City, under the jurisdiction of Shanwei City, Guangdong Province. From 2011 to 2016, Wukan villagers have continued to fight to protect their land and fight for villagers' rights. Facing strong pressure from the government, some even paid with their lives. In the process, the villagers had elected their own villagers' committee by one person, one vote to practice their democratic rights. Although the protests were eventually suppressed, the impact was far-reaching. Ai Xiaoming rushed to the scene at the beginning of the Wukan incident and left this precious record.