When the Cultural Revolution broke out, Yang Xiaokai was a senior high school student at No. 1 Middle School in Changsha. On January 12, 1968, he published an article entitled "Where is China Going?" which systematically put forward the ideas of the "ultra-leftist" Red Guards, criticized the privileged bureaucratic class in China, and advocated for the establishment of a Chinese People's Commune based on the principles of the Paris Commune. Yang Xiaokai recalled that his parents were beaten because they sympathized with Liu Shaoqi's and Peng Dehuai's views, and that he was discriminated against at school and could not join the Red Guards. As a result, he joined the rebel faction to oppose the theory of descent. Yang Xiaokai was later sentenced to 10 years' imprisonment for this article. Yang Xiaokai died in 2004. This article is a retrospective of his life.
On January 27, 1970, Wang Peiying, a cleaner at a kindergarten in Beijing, was sentenced for counter-revolutionary crimes at a 100,000-person public trial held at the Workers' Stadium in Beijing. She was then taken to the execution ground along with a dozen other political prisoners to be executed by firing squad. Wang Peiying was strangled to death in the torture wagon because she preferred to die rather than give in and shout slogans. Forty years later, her daughter, Kexin, began to search for her mother's story. Through her mother's coworkers, friends in distress, and the task force, she gradually discovers her mother's experience as an active counterrevolutionary. In order to protect her conscience, Wang Peiying chose to stand up for her dignity and freedom to tell the truth, and willingly endured brutal torture. The documentary reflects the brutality of the Cultural Revolution and the destruction of humanity.
Author Wang Ruoshui spent his early years studying philosophy at Peking University. He served as deputy editor-in-chief of the Communist Party newspaper “People's Daily” and was able to participate in high-level ideological discussions, gaining a deep understanding of Mao Zedong as a person and of his thought. He was one of the rare intellectuals within the CCP system who had an independent personality as well as the ability to think for himself. After his death from cancer, his wife, Feng Yuan, helped put together this posthumous book. Published by Ming Pao Press in 2002, it has been described as "the first and most comprehensive and in-depth discussion of Mao Zedong and his thought."
Author Wang Ruoshui spent his early years studying philosophy at Peking University. He served as deputy editor-in-chief of the Communist Party newspaper "People's Daily" and was able to participate in high-level ideological discussions, gaining a deep understanding of Mao Zedong as a person and his thought. He was one of the rare intellectuals within the CCP system who had an independent personality as well as the ability to think for himself. After his death from cancer, his wife, Feng Yuan, put together this posthumous book. Published by Ming Pao Press in 2002, it has been described as "the first and most comprehensive and in-depth discussion of Mao Zedong and his thought.
Yu Luoke (May 1, 1942 - March 5, 1970): Worker, freelance writer, and public intellectual.
Yu was born into an educated family in northeastern China, which for a period of time was under Japanese occupation. His father studied on a state scholarship in Waseda University in Tokyo, while his mother came from a wealthy family in Beijing and studied business at Tokyo Girls High School. When the two returned to China, they went into business, married, and had three children.
When the CCP took power, the family was declared part of the “bourgeois class” and like other “black elements”--classes of people who the party declared to be enemies–was persecuted. The father was arrested in 1952 on charges of tax evasion and released. In 1957, Yu Luoke’s parents were declared Rightists and sent to labor camps. In 1959, Yu graduated from high school with highest honors but as the offspring of an undesirable class was not permitted to attend university. In 1961, he was allowed to work on a farm in a Beijing suburb, where he realized that class identity was also important in rural China–landlords and their children were even beaten to death. In 1964 he returned to the city and apprenticed at a machinery factory. Yu realized that he was part of an untouchable caste in Maoist China and would be condemned forever, no matter what he believed or how hard he worked.
These experiences were the genesis of Yu’s essay, which became one of the most famous texts of the Mao era. Yu wrote it at the start of the Cultural Revolution. The ten-thousand character essay is called chushenglun, or “On Family Background” (sometimes translated as “On Class Origins"). In it, he warned that the “five black categories'' were becoming a permanent underclass, while China’s rulers were from the hongwulei, or “five red categories:” poor and lower-middle peasants, workers, revolutionary soldiers, revolutionary officials, and revolutionary martyrs, including their family members, children, and grandchildren. He warned of a new ruling class based on bloodlines.
The essay was published in a journal that Yu and his brother Yu Luowen called the "Journal of Secondary School Cultural Revolution." In January 1967, about thirty thousand copies were printed, and the young men began distributing them around the capital, selling them for two cents a copy. They sold out in a few hours. In February, they printed another eighty thousand copies.
Soon, hundreds of letters each day arrived at Yu Luoke’s local post office—so many that he had to go collect them in person. The missives detailed how the Communists’ policies had caused them to suffer. People traveled from across China to visit them at their home, excited that someone finally had uncovered how the Chinese Communist Party ruled. The editorial board was expanded to twenty people, and the group sponsored debates and seminars.
The Journal was closed down in April 1967. Yu Luoke began to write on economic inequality. In January 1968, he was arrested. Two years later, on 5 March 1970, Yu was executed by firing squad at Beijing Workers Stadium.
This book is a collection of many authors, most of whom were former senior officials of the Communist Party of China, such as Li Rui, Xiao Ke and others. Through the author's recollections, we can learn about the political movements of the Mao Zedong era, including the Cultural Revolution, the Anti-Rightist Movement, etc., as well as the details of many unjust cases, such as the Hu Feng case, which is quite convincing. This book was published by the Central Compilation and Translation Bureau Press in mainland China in 1998.
The domestically-released version of "Petition" consists of three parts: “The Masses,” “Mother and Daughter” and “Beijing South Railway Station.” Part one, “The Masses,” brings together the stories of petitioners of various backgrounds, who all for different reasons, ended up walking the same path. “The Masses” gives a comprehensive account of what is petitioning and and follows the process.
Part two, "Mother and Daughter," follows the story of Huaying, who brought her daughter Xiaojuan alongside her from the countryside of Jiangsu to Beijing to petition when Xiaojuan was only four years old. Over the next twelve years, they lived a wandering life. "Mother and Daughter" spans the longest period among all the parts of Petition, from 1996 to 2008. It witnesses the growth of Xiaojuan over ten years of petitioning, not only describing the sorrow of Chinese petitioners, but also revealing how long-lasting petitions cases affect the fate of the next generation. In official reports, petitioners lack a voice and appear to be even more marginalized under the media’s tactics. It also raises the issue of forced psychiatric confinement of individuals the Chinese government deems difficult.
“Beijing South Railway Station" surveys the "petitioner village," a residential area near the station that was once home to tens of thousands of people from all over the country. It was eventually demolished by authorities in preparation for the 2008 Olympics. The film captures bungalows being knocked down, shacks being flattened, and security police chasing after residents, the latter not given the time to grab any necessities.
Zhao Liang recalls dressing like the interceptors when filming interceptors, and dressing like a petitioner while filming petitioners. “I had several outfits, and tried to stay low key, using the smallest cameras possible.” The film went on to win the Halekulani Golden Orchid Award for Best Documentary Film at the 29th Hawaii International Film Festival, and a Humanitarian Award for Documentaries at the 34th Hong Kong Film Awards.
This book brings together a wide range of social figures—both the high and mighty and common people—who were persecuted to death during the Cultural Revolution. In the preface of this book, the author writes: "It organizes and studies the death files of 34,766 people who were persecuted and killed during the Cultural Revolution, and analyzes our nation's catastrophe from an extraordinary and bloody perspective." The book was published in 1993 by China Earth Publishing House in mainland China.
This book seeks to reveal the characteristics of the Red Guard movement through the study of the Red Guard's spiritual qualities, such as the mode of action of the rebellion, the formation of factions and regional differences, as well as the types of Red Guard ideology and the trend of change before and after the Cultural Revolution, etc. The author is a peer of the Red Guard and has accumulated first-hand information on the subject through extensive interviews and documentary research. The author of this book, Xu Youyu, is a peer of the Red Guards, and has accumulated first-hand information about the research through a large number of interviews and documentary research. At present, there are very few studies that analyze the formation of the Red Guards' mentality based on oral data and case studies. Therefore, this book is of great reference value to researchers in this field. This book was published by the Chinese University of Hong Kong Press in 1999.
This book collects 25 essays by Peking University alumni. 20 Peking University graduates recall the Cultural Revolution they personally experienced and tell what they saw and heard. The essays cover several important events. For example, there are some details about the mastermind behind Nie Yuanzi's 1967 trip to Shanghai, and about Prof. Jian Bozan, who killed himself after suffering persecution. There is also a student's observation of the intricate contradictions of the Cultural Revolution and a compendium of the pre-Cultural Revolution socialist education movement. These recollections provide valuable information for the study of the history of the Cultural Revolution at Peking University.
This documentary interviews painters, Red Guards, as well as current collectors and researchers in China and the United Kingdom. It presents the emergence, spread, and impact of the propaganda posters during the Cultural Revolution. The film includes interviews with Liu Chunhua, the author of Chairman Mao Goes to Anyuan, Guangzhou painter Li Xingtao, Guangzhou old Red Guard Zhou Jineng, and others. Art museum personnels, art critics, journalists, professors, and researchers in both China and the United Kingdom speak about their understanding of the art of the Cultural Revolution from various perspectives.
This film is in Chinese with both English and Chinese subtitles.
In 1966, the curtain opened on one of the great tragedies in human history: the Cultural Revolution. The Cultural Revolution was the religion and trap of the Red Guards. This book recounts the whole process of the Red Guard movement. The book starts with a group of initiators of the Red Guards, and with informative and sad words, it describes the movement's birth, growth, and demise.
In 1960, a group of faculty and students from Lanzhou University, who had been labeled Rightists and sent down to rural areas in Tianshui, Gansu, personally experienced the Great Famine. They self-published <i>Spark</i> magazine to expose and criticize the totalitarian rule that led to this catastrophe.<i>Spark</i> only published one issue before its participants were arrested and labeled as a counterrevolutionary group. Many were sentenced to long prison terms, and some were even executed. <a href=“http://108.160.154.72/s/china-unofficial/item/1759#lg=1&slide=0”>The first issue of <i>Spark</i> and more information about the "Spark Case" can be read here</a>.
<i>Return from Purgatory: A Survivor’s Memoir of the ‘Spark Case’ in the Great Famine Years (1957–1981)</i> is the autobiography of Xiang Chengjian, a key participant in <i>Spark</i> magazine. At the time, he and another student were responsible for printing the first issue, and he contributed six articles to <i>Spark</i>. Due to his involvement, he was sentenced to 18 years in prison for his role in the Spark case and was not rehabilitated until the early 1980s.
This memoir is divided into three sections, with a total of thirteen chapters spanning over 350,000 characters. It documents Xiang’s journey from being labeled a Rightist and sent to perform forced labor, to his arrest and 19-year imprisonment for his involvement in <i>Spark</i>, and finally to his struggle for rehabilitation and efforts to rebuild his life after release. In the book’s preface, scholar Ai Xiaoming offers the following assessment:
"Xiang Chengjian’s memoir holds significant value for the study of the intellectual history of contemporary China. First, it serves as another important testimony of the “Spark Case”, following Tan Chanxue’s memoir <i><a href=“”>Sparks: A Chronicle of the Rightist Counter-Revolutionary Group at Lanzhou University</a></i>, making it a crucial historical document on this act of resistance. The author reconstructs the social context before and after the case and describes how the young intellectuals behind <i>Spark</i> bravely challenged totalitarian rule. Second, the book provides a detailed account of labor camps in western China, with the author documenting his 18 years of forced labor in Gansu and Qinghai, unveiling a western chapter of China’s Gulag system. Third, it is a deeply personal intellectual history of a resister, showing the immense suffering, trials of life and death, and personal resilience under the crushing force of state violence."
The book’s appendix includes Xiang Chengjian’s six articles for <i>Spark</i>, an in-depth investigative report on him by journalist Jiang Xue, and a chronological record of the Spark Case compiled by Ai Xiaoming.
<i>Return from Purgatory</i> is published by Borden Press in New York and is the first book in the “People’s Archives Series”, published by the China Unofficial Archives. The author, Xiang Chengjian, has generously authorized the archive to share the book’s digital edition. Readers are encouraged to purchase the book to support the author and publisher.
The Red Guard movement originated in the Tsinghua University Affiliated High School, a secondary school for faculty and staff of the university, as well as others aspiring to attend the elite university, including the sons and daughters of high-ranking cadres. Song Bailin was a senior high school student at Tsinghua High School, one of the founders and a core member of the Red Guards.
Song kept a diary during the first years of the Cultural Revolution. Yu Ruxin, a researcher of the Cultural Revolution, felt that a section of Song Berlin's diary involving the Red Guards of Tsinghua High School was of historical value. Yu decided to publish the diary in its entirety as it was, with no deletion except for the correction of obvious typos. The diary covers the period from May 1966 to February 1968, the launching phase of the Cultural Revolution. A selection of diary entries from January to April 1966 has been included to give a better understanding of the political climate in China on the eve of the Cultural Revolution as well as the ideological trends of high school students.
Because the diary is a historic document directly from an era that is now more than half a century old, the diary lacks historical background and footnotes that might help current readers understand the context of that time. Fortunately, the current publication has a preface written by Luo Xiaohai, who explains the political atmosphere in the years leading up to the Cultural Revolution and some of the key events of that time.
For readers today, the diaries are at times hard to decipher. The Red Guards quickly were criticized by others, including those in power. As the writer Hu Ping notes <a href="https://www.rfa.org/mandarin/pinglun/huping/Hu_ping-20071112.html">in a 2007 review of the book</a>, the reversal of support for the Red Guards must have caused confusion and even a sense of betrayal by many involved. The diary, however, reveals none of this inner turmoil, Hu Ping ascribes the Red Guards' silence to the fact that keeping a diary in that era was a way for participants to prove their revolutionary zeal. Thus they self-censored and wrote with the expectation that their words would be discovered and could be used against them. This means the diary provides little in the way of psychological insights in the Red Guards.
It does, however, provide a way of understanding how totalitarian terror and power works on individual psychology. Thus when his classmates beat classmates and teachers, Song expressed embarrassment that he lacked their fervor and did not participate. This means that the diary is best seen as a primary document that shows the way young people thought at that time, rather than an exercise in self-reflection or criticism.
In this film, the filmmaker accompanied volunteer Xie Yihui as she visited the parents of students who died in the 2008 Sichuan earthquake to find people with knowledge of the architectural blueprint of the Beichuan Middle School. This documentary presents the rise of earthquake tourism and records the mindset of volunteers, bereaved parents, and tourists at the anniversary of the earthquake. This film is interspersed with historical film materials of Beichuan Middle School’s building samples taken by parents in 2008, as well as architect Zhu Tao’s analysis of the construction drawings and building quality. It also shows the perceptions of mothers, teachers, and photographers.
This series of films are in Chinese with Chinese subtitles.
This volume is authored by Bu Weihua. Bu Weihua was the originator of the Red Guards and the Red Guard movement. He became a member of the Red Guards at Tsinghua High School. After the end of the Cultural Revolution, he received professional training in history and was one of the first scholars in China to engage in the study of the Cultural Revolution. He not only understands the pre-Cultural Revolution period, especially the Red Guard movement in Beijing, but also has deep reflections on the catastrophe he experienced. This volume concisely depicts the panoramic images and processes of the Cultural Revolution from May 1966 to April 1969.
This film was shot in a village called Maidichong in the mountains of Yunnan Province. The village is inhabited by a community of Miao people who are Christians. 100 years ago, the British missionary, Mr. Burghley, came to this village, fostered the Miao language, and brought faith, education, and medical care to the Miao people. This movie tells this history and how their journey of faith was brutally suppressed during the Cultural Revolution. It also presents the challenges they face today.
<i>Spark</i> tells the story of a group of young intellectuals who risked their lives to voice their opinions about the Chinese Communist Party in the 1950s and 1960s. Following the Hundred Flowers Campaign of 1957, many intellectuals were branded as Rightists and banished to work and live in rural China. A group of students from Lanzhou University were among those sent to the countryside. There, they witnessed mass famine which resulted from government policies to collectivize agriculture and force industrialization in rural China. Shocked and angered by the government’s lack of response to the Great Famine, these students banded together to publish <i>Spark</i>, an underground magazine that sought to alert the Chinese population of the unfolding famine. The first issue, printed in 1960, included poems and articles analyzing the root causes of failed policies. However, as the first issue of <i>Spark</i> was mailed and the second issue was edited, many of these students, along with locals who supported the team, were arrested. Some of the key members of the publication were sentenced to life imprisonment and later executed, while others spent decades in labor camps.
In this 2014 documentary, Hu Jie uncovers the stories of the people involved in the publication of <i>Spark</i>. He conducts interviews with former members of the magazine who survived persecution, and also shows footage of the manuscripts of the magazine. A digital copy of the original manuscript of the first volume of <i>Spark</i> is also held on our website.
This film was awarded the Special Jury Prize for Chinese Documentary at the 2014 Taiwan International Documentary Film Festival and the Award of Excellence in the Asian Competition. Later, it won the Independent Spirit Award at the Beijing Independent Film Festival.
During the worst years of the 1960 famine, a group of teachers and students at Lanzhou University decided to publish an underground publication, <i>Spark</i>, to alert Chinese people to the growing disaster and expose the authoritarianism of the Chinese Communist Party. Only two issues of this underground publication were printed before it was broken up as a counter-revolutionary group case and 43 people were arrested.
The author of this book, Tan Chanxue, was a key participant and helped save the memory of <i>Spark</i> from being lost. Tan was the girlfriend of Zhang Chunyuan, the magazine's founder, and participated in key moments of the magazine's short lifespan. She was sentenced to 14 years in prison, but was later released and rehabilitated, and taught at the Jiuquan Teachers' Training School. In 1982, she was transferred to the Dunhuang Research Institute as an associate researcher, and retired in 1998, settling in Shanghai.
It is largely through Tan's efforts that we know about <i>Spark</i>. She was able to look into her personnel file (<i>dang'an</i>), where she discovered the issues of the magazine, as well as confessions of the people arrested, and even her love letters to Zhang. She photographed this material and later it was turned into PDFs, which circulated around China starting in the late 1990s, helping to inspire books and movies.