How can China build a true civil society? Independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants since 2010.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
ow can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
The Xi’an-based videographer Zhang Shihe, or Tiger Temple, has been a fixture on the independent Chinese history scene for more than twenty years. In 2010, he began a thirty-part series of short interviews with leading Chinese thinkers called “Working Toward Civil Society,” in which he explores how China can build a true civil society. Some of those interviewed have now been silenced, passed away, or moved abroad, making the series itself a work of history.
In this episode, Zhang interviews one of China’s most thoughtful public thinkers, Cui Weiping. Cui is a professor at the Beijing Film Academy, and translator of Havel into Chinese. She was a signer of Charter 08, and friend of the late Nobel Peace Prize laureate Liu Xiaobo. Although the interview is only 8 minutes long, Cui touches on some of the key problems that continue to plague China: how to break free of overwhelming government control of civic life?
Note to English speakers: this interview only has Chinese subtitles. The CUA is working to add English subtitles to all of our video offerings so check back in a few months.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants since 2010.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a real civil society? Since 2010, independent director Tiger Temple sat for a series of interviews with scholars and civil society actors.
How can China build a real civil society? Since 2010, independent director Tiger Temple sat for a series of interviews with scholars and civil society actors.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
How can China build a true civil society? Since 2010, independent director Tiger Temple has conducted a series of interviews with scholars and civil society participants.
Chinese human rights activist Dr. Xu Zhiyong, twice imprisoned for his longstanding advocacy of civil society in China, was sentenced to 14 years in prison by the Chinese government in April 2023. The documentary by independent director Lao Hu Miao was filmed over a four-year period, beginning with the seizure of the Public League Legal Research Center, which Xu Zhiyong helped found in 2009, and ending with Xu's first prison sentence in 2014.
In China, individuals can complain to higher authorities about corrupt government processes or officials through the petition system. The form of extrajudicial action, also known as "Letters and Visits" (from the Chinese xinfang and shangfang), dates back to the imperial era. If people believe that a judicial case was concluded not in accordance with law or that local government officials illegally violated his rights, they can bring it to authorities in a more elevated level of government for hearing, re-decide it and punish the lower level authorities. Every level and office in the Chinese government has a bureau of “Letters and Visits.” What sets China’s petitioning system apart is that it is a formal procedure—and as Zhao Liang's documentary shows, the system is largely a failure.
A residential area near Beijing South Railway Station was once home to tens of thousands of residents from all over the country. Known as “Petition Village,” its bungalows and shacks were demolished by authorities several times, but many petitioners still clung to the land in search of a clear future. _Beijing Petition Village_ portrays the village in the midst of this upheaval, focusing on the thousands of civilians who travel from the provinces to lodge their complaints in person with the highest petitioning body, the State Bureau of Letters and Visits Calls in the province, only to repeatedly get the brush-off by state officials. Ultimately, in 2007, Petition Village was demolished for good.
The film went on to win the Halekulani Golden Orchid Award for Best Documentary Film at the 29th Hawaii International Film Festival, and a Humanitarian Award for Documentaries at the 34th Hong Kong Film Awards.
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum on December 7, 2003. This video is a recording of that performance.