This film records the story of Liu Xianhong, a woman from rural Xingtai, Hebei, who contracted AIDS through a blood transfusion in the hospital and decided to publicly disclose her identity and sue the hospital. After fighting in the courts, she finally received compensation. This documentary demonstrates the surging awareness of civil rights in rural China at the grassroot level through depicting the experiences of several families and the concerted efforts of patients to form “care” groups to collectively defend their civil rights. Due to public awareness, media intervention, and legal aid, the government also introduced new policies to improve the situations of patients and their families.
This film is in Chinese with both English and Chinese subtitles.
The author of this book, Luo Pinghan, is a native of Anhua County, Hunan Province. He graduated from the Party History Department of Renmin University of China and served as director and professor of the Party History Teaching and Research Department of the Party School of the Central Committee of the Communist Party of China. This book was published by Fujian People's Publishing House in 2003.
With Mao Zedong's affirmation, the system of people's communes was rapidly promoted across the country in 1958. At that time, the people's commune was both a production organization and a grassroots political power. Its rise and fanatical development are closely related to the subsequent Great Famine.
As a scholar within the system, the author’s view of history also belongs to orthodox ideology. Although this book is narrated from the official ideology of the CCP, it uses rich and detailed historical materials to comprehensively and systematically introduce the history of the People's Communes, giving it a reference value for a comprehensive understanding of this movement.
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum. This documentary records the attitudes of governments across China towards the play as well as women's perceptions of the play and its connection with their personal experiences. It also highlights the current political and cultural ecology of China.
