In August 2008, after the 100-day anniversary of the Sichuan earthquake, rescue teams began to withdraw and the media stopped reporting on the casualties of school employees, teachers, and students. Chengdu environmental worker Tan Zuoren and local volunteers, however, were still searching for the cause of the collapse of school buildings within the ruins. As winter arrived, Tan Zuoren and his colleague Xie Yihui trekked through more than 80 towns and villages in 10 counties and cities, covering a total of 3,000 kilometers. Finally, before the May 12 anniversary, they issued a report of their investigation, which was the first independent inquiry report on the Sichuan earthquake’s impact on schools. At the same time, Beijing artist Ai Weiwei furthered civilian investigation and new volunteers arrived in Sichuan to search for the names of students who died. This documentary is an incomplete record of a civilian investigation and a piece of testimony submitted to the court charging Tan Zuoren with “suspected subversion of the state.”
This film is in Chinese with Chinese subtitles.
The family of Jia Qingyun, a farmer whose ancestors came to Guandong Province, returned to their hometown of Shandong Province with their three children due to the difficulties of life in the Northeast, and settled on the seaside of the town. However, facing the land where their ancestors had lived, they did not have land of their own. Nor did they have a household registration or a house. They can only face the sea and tenaciously start life again. Director Hu Jie records their hardships and their hopes for life.
This film records the story of Liu Xianhong, a woman from rural Xingtai, Hebei, who contracted AIDS through a blood transfusion in the hospital and decided to publicly disclose her identity and sue the hospital. After fighting in the courts, she finally received compensation. This documentary demonstrates the surging awareness of civil rights in rural China at the grassroot level through depicting the experiences of several families and the concerted efforts of patients to form “care” groups to collectively defend their civil rights. Due to public awareness, media intervention, and legal aid, the government also introduced new policies to improve the situations of patients and their families.
This film is in Chinese with both English and Chinese subtitles.
In 1959, in the desolate Lingyuan area in the western part of Liaoning Province, a group of intellectual rightists from the Shenyang University arrived. There, they were to labor and be reformed alongside criminal prisoners in the prison, while digging mines to build railroads. How did the Communist Party reform the intellectuals? What kind of encounters did these rightist intellectuals go through? Hu Jie's camera restores this history.
Through a large number of Cultural Revolution paintings, this film shows the official aesthetics at the time of the Cultural Revolution and the bloody violence and authoritarianism behind these paintings. The film features interviews with painters and Red Guards of the era as well as collectors and researchers in China and the UK today.
In 1957, two hundred teachers, students, and cadres from Kunming, Yunnan were among the hundreds of thousands of Chinese people labeled as “Rightists” for criticizing the Chinese Communist Party. They were sent to the East Wind State Farm, located in Mi-le County in Yunnan, for 21 years of “thought reform” in the countryside. These inmates witnessed the policies of the Great Leap Forward first-hand: they took part in deforestation, agricultural, and industrial projects in the countryside, which precipitated the Great Famine. Later, during the Cultural Revolution, their camp was visited by large groups of youths “sent down” from the cities, who worked on the farm with the “Rightists.” In 1978, these “Rightists” were finally rehabilitated and allowed to leave.
This documentary examines the policies and campaigns of the Maoist era through the eyes of those who were persecuted and exiled. Director Hu Jie pieces together this long and complex story through collecting dozens of extensive interviews with inmates as well as staff who served through decades of the camp’s existence. These people’s vivid memories and personal accounts shed light on the harrowing lifestyle of not only the two hundred “Rightists” of East Wind State Farm, but also the scores of dissidents and youths who experienced the Great Leap Forward and the Cultural Revolution.
On February 9, 2010, Tan Zuoren was tried in the Chengdu Intermediate People’s Court for the crime of inciting subversion against the state. Ai Xiaoming and her team recorded the three days before and after the verdict, the mindsets of Tan Zuoren’s friends and relatives, and how the lawyers carried out their work.
This film is in Chinese with Chinese subtitles.
This movie captures the lives of miners in small coal mines in the Qilian Mountain area of Qinghai Province. At 3600 meters above sea level, the air here is thin. Miners in the small coal kilns labor hard in a working environment without any protection, and usually get silicosis after 5-10 years of work, thus losing their ability to work. If they die in an accident, their families receive only meager compensation. This is a true record of the survival of China's grassroots laborers in the early 1990s.
The year 2003 was known as the birth of the Weiquan—the rights defense–movement, which was marked by the Sun Zhigang incident in Guangzhou. At the same time, a campaign began to get justice for Huang Jing, a teacher from Hunan who was sexually assaulted and killed by her boyfriend. The campaign involved the victim’s family, netizens, feminist scholars and activists, and lasted for several years. This documentary records the process of Huang Jing’s case from filing to post-judgement, and analyzes the broader issue of sexual violence against women in China.
The films in this series are in Chinese with Chinese subtitles.
This book is part of author Eva's "Famine Trilogy." Because her mother was a survivor of the famine in Gansu, Eva has obsessively pursued and recorded that tragic history. She visited a dozen counties in Gansu and Shaanxi four times and interviewed two hundred and fifty people. The list of starving victims recorded in the book is about eight hundred and thirty, while as many as one hundred and twenty-one incidents of cannibalism and cannibalistic phenomena were recorded.
This is the first book in author Eva's "Famine Trilogy," in which she traveled to Qin'an County, Tongwei County, and Tianshui District in Gansu Province as well as to Yaozhou and Tuxian County in Shaanxi Province in 2011. She interviewed more than two hundred survivors of the Great Famine, with the oldest person being ninety-five years old and the youngest being fifty-eight years old. This book allows these lowest class, mostly uneducated peasants to speak and provide their own witness, leaving behind their voices and oral history. Based on interviews with more than fifty interviewees, the book contains the names of more than five hundred victims and forty-nine incidents of cannibalism.
Hu Jie narrates the life of Lin Zhao, a Christian dissident who was condemned as a Rightist in the late 1950s and executed during the Cultural Revolution. Prior to becoming a mentcritic of the government, Lin Zhao was an ardent believer of communism. She demonstrated talent in writing and speaking as a star student in Peking University. However, after criticizing the government in 1957 during the Hundred Flowers Campaign, she was cast as anti-revolutionary. Despite the government’s attempts to silence her, Lin Zhao continued to speak and write publicly, including contributing two epic poems to Spark, an underground student-run journal. In 1960, she was arrested, and despite being released briefly in 1962, spent the rest of her life behind bars, under extremely poor living conditions. Nevertheless, she continued to write in prison, sometimes with her blood. In 1968, at the age of 36, she was executed by a firing squad.
In this documentary, Hu Jie showcases many of Lin Zhao’s surviving writings and poetry. These pieces often contain criticisms of the communist regime, as well as commentary on policy issues pertaining to labor and land reform. In making this film, Hu Jie traveled around China to interview friends and associates of Lin Zhao, who knew her as a student, activist, or prisoner. This documentary includes excerpts from interviews with them, which inform us about Lin Zhao’s personality and motivations.
This documentary has contributed to a widespread revival of interest in Lin Zhao, who had almost become a forgotten figure until the film’s appearance.
This book is part of writer Eva's "Famine Trilogy." It is also the only oral history monograph on women and children who fled the famine in Gansu and Shaanxi from 1958 to 1963 as of now. More than 1.3 million people starved to death in Gansu Province, the hardest-hit area of the Great Famine, and more than 100,000 women between the ages of 16 - 15 years old fled the famine and left Gansu. What happened to them and their children is one of the most tragic memories of the Great Famine.
A five-part documentary by the filmmaker and feminist scholar Ai Xiaoming on the persecution of inmates at the Jiabiangou labor camp in Jiuquan, Gansu province, where more than 2,000 people died. The movie includes interviews with the few remaining survivors and documents efforts to commemorate the dead. The director interviewed survivors of Jiabiangou and the children of the victims and listened to their stories about the past; she also found former correctional officers and their descendants to understand the causes of labor camps and the Great Famine from different angles.
Shot by Ai and a team of volunteers, the film presents the conflict between the preservation and destruction of memory.
Wang Lihong is a Beijing netizen, civilian journalist, and public service volunteer. Wang was accused of “picking quarrels and provoking trouble” for supporting three netizens in Fujian. On August 12, 2011, the case was heard for the first time in the Wenyuhe Court of the People's Court of Chaoyang District, Beijing. This film includes interviews with Wang Lihong's relatives, friends, defense lawyers and netizens, and records the historical scene of onlookers in the courts.
Ai Xiaoming’s film “Postcard,” also released in 2011, elaborates Wang Lihong’s activism in broader strokes, while “Let the Sunshine Reach the Earth” focuses on the process of her trial.
This film is in Chinese with Chinese subtitles.
The tradition of matchmaking is still prevalent in northern rural areas today. This film records the story of Yang Xiuting, a matchmaker living in Guan County, Shandong Province. It describes how, due to economic reforms, rural people went to cities to find work. Subsequently, young people began to choose their own spouses. Thus, the ancient profession of matchmaker not only faces challenges, but also encounters new problems.
Luo Xiaojia, a young Yunnan Yi girl was trafficked to the plains of Shandong at the age of 17 and forced to marry a young farmer in the area. The film documents her family life in the unfamiliar Shandong countryside and her longing for home. In her tenth year in Shandong, she finally fights for the opportunity to return home. After a 4,000-kilometer journey, she returns to her hometown of Yunnan and sees her mother, whom she misses day and night. However, she struggles with conflicting emotions, and returns to Shandong with a mountain song that her mother sings for her. This movie reflects the sad fate of trafficked women in China and the social psychology that follows these tragedies.
Author Eva writes about her relationship with Gao Yaojie, a Chinese doctor. Dr. Gao Yaojie, who was severely repressed by the Chinese government for exposing the mass infection of Chinese farmers in Henan Province, China, by selling their blood, had no choice but to leave China at the age of 78 and go into exile in the United States. The dissemination of her story is strictly forbidden in China. In this book, author Eva describes Gao Yaojie's noble heart, her story, and her experiences.
On January 27, 1970, Wang Peiying, a cleaner at a kindergarten in Beijing, was sentenced for counter-revolutionary crimes at a 100,000-person public trial held at the Workers' Stadium in Beijing. She was then taken to the execution ground along with a dozen other political prisoners to be executed by firing squad. Wang Peiying was strangled to death in the torture wagon because she preferred to die rather than give in and shout slogans. Forty years later, her daughter, Kexin, began to search for her mother's story. Through her mother's coworkers, friends in distress, and the task force, she gradually discovers her mother's experience as an active counterrevolutionary. In order to protect her conscience, Wang Peiying chose to stand up for her dignity and freedom to tell the truth, and willingly endured brutal torture. The documentary reflects the brutality of the Cultural Revolution and the destruction of humanity.
In late January 2014, on the eve of the Lunar New Year, Xu Zhiyong, Zhao Changqing, Ding Jiaxi and other advocates of the New Citizens’ Movement were charged with "gathering a crowd to disrupt order in a public place." The case was heard for the first time in courts at different levels in Beijing. This film intersperses on-site records with interviews with defense lawyer Zhang Qingfang, scholar Guo Yuhua, entrepreneur Wang Ying, and others to present citizens' understanding of the New Citizens' Movement.
This series of films are in Chinese with Chinese subtitles.