This book is Gao Hua's next masterpiece after *How the Red Sun Rose*. It entails a selection of papers published by the author between 1988 and 2004, covering the fields of Republican history, Communist Party history, and contemporary Chinese history. It captures the historical interaction between the present and the past. Gao reflects deeply on the far-reaching Chinese Communist Revolution. With a rigorous and empirical research methodology, he sketches a complex and colorful picture of history, presenting the multiple facets of twentieth-century China's history.
More than 70 years ago, a massive wave of revolutionary terror swept through the CCP-led Jiangxi Soviet Union. Thousands of Red Army officers and soldiers, as well as members of the Party and the general public in the base area, were brutally murdered in a purge called the "Purging of the AB Troupe." Gao Hua's article examines why Mao Zedong initiated the "purge of the AB Group" in the Red Army and the base areas. What was Mao's rationale for the Great Purge? What is the relationship between the Great Terror and the establishment of a new society? Why did Mao stop using the "Fighting the AB Groups" as a means of resolving internal conflicts in the Party after he assumed real power in the CCP?
Originally published in Hong Kong in Chinese in 2000, Gao Hua’s epic description of an early Communist Party campaign against dissent describes a pattern of thought reform and control that would hold true for decades to come. Written despite official harassment and Gao’s failing health, How the Red Sun Rose is a touchstone for China’s unofficial history movement. It was translated into English in 2019 and published by Columbia University Press. Purchase here: https://cup.columbia.edu/book/how-the-red-sun-rose/9789629968229.
The first edition of this book was published two years before the landmark event on July 5 in Urumqi from which the ethnic problems in Xinjiang erupted. The "July 5 Incident" was an ethnic vendetta in Urumqi that resulted in thousands of deaths and injuries. It has been regarded as a turning point in the all-out hostility between Uyghurs and Han Chinese and in the shift of Xinjiang's governance from economic development to political high-handedness. The book is thus considered prescient and ahead of its time. Before writing the book, Wang Lixiong had been imprisoned for more than 40 days on the charge of "stealing secret state documents." But this imprisonment brought him a great reward: he was to meet Muhtar, an ethnic Uyghur who was also a political prisoner. "It was because of Muhtar that the book took on a new perspective," says Wang Lixiong. Xinjiang is no longer a symbol in documents, books and materials, but has real flesh and blood, emotions, and even body heat.
In this book, author Wang Lixiong presents his arguments with a great deal of personal experience and field work. The book covers the history of the Tibetan issue, the current situation, and various aspects. The book was first published by Mirror Books in Hong Kong in 1998, and an updated edition was released in 2009.
This book is a compilation of some of Gao Hua's speeches, book reviews, commentaries on current affairs, reviews of student papers, and lecture transcripts. It includes his studies and reflections on themes around revolution, civil war, and nationalism, his comments on the works of Long Yingtai, Wang Dingjun, and Mao Zedong, and his observations on Taiwan's social and political realities during his visits to Taiwan. In addition, the book contains a selection of Gao Hua's lecture notes on the theory and methodology of historiographical research, as well as on the production of official historical narratives and the development of folk history, enabling readers to gain further understanding of the philosophy and methodology behind Gao Hua’s research.
The book was published by Guangxi Normal University Press in November 2015 before the fourth anniversary of Gao Hua's death, for which the publisher was disciplined by the Central Propaganda Department and the State Administration of Press, Publication, Radio, Film and Television.
