This book is Gao Hua's next masterpiece after *How the Red Sun Rose*. It entails a selection of papers published by the author between 1988 and 2004, covering the fields of Republican history, Communist Party history, and contemporary Chinese history. It captures the historical interaction between the present and the past. Gao reflects deeply on the far-reaching Chinese Communist Revolution. With a rigorous and empirical research methodology, he sketches a complex and colorful picture of history, presenting the multiple facets of twentieth-century China's history.
This document, declassified in January 2015, contains a 1989 diplomatic memorandum from the Canadian Embassy in Beijing. It describes the circumstances surrounding the June 4 massacre as they were known to officials at the Canadian embassy.
The documents, declassified by the National Library and Archives of Canada, show the Canadian government's concern about the invasion of the embassy by Chinese troops. The documents also describe the crackdown in Beijing and how the troops killed citizens.
More than 70 years ago, a massive wave of revolutionary terror swept through the CCP-led Jiangxi Soviet Union. Thousands of Red Army officers and soldiers, as well as members of the Party and the general public in the base area, were brutally murdered in a purge called the "Purging of the AB Troupe." Gao Hua's article examines why Mao Zedong initiated the "purge of the AB Group" in the Red Army and the base areas. What was Mao's rationale for the Great Purge? What is the relationship between the Great Terror and the establishment of a new society? Why did Mao stop using the "Fighting the AB Groups" as a means of resolving internal conflicts in the Party after he assumed real power in the CCP?
Originally published in Hong Kong in Chinese in 2000, Gao Hua’s epic description of an early Communist Party campaign against dissent describes a pattern of thought reform and control that would hold true for decades to come. Written despite official harassment and Gao’s failing health, How the Red Sun Rose is a touchstone for China’s unofficial history movement. It was translated into English in 2019 and published by Columbia University Press. Purchase here: https://cup.columbia.edu/book/how-the-red-sun-rose/9789629968229.
"Li Peng's June 4 Diary" was published by Bao Park, the son of Bao Tong, the political secretary of former CCP General Secretary Zhao Ziyang. Based on a manuscript of a diary allegedly kept by Li Peng during the June 4 Tiananmen Square incident, the book was originally scheduled to be published in Hong Kong by New Century Press on June 22, 2010. At the time of the June 4, 1989 Tiananmen Square incident, Li Peng was a member of the Standing Committee of the Political Bureau of the Communist Party of China Central Committee (CCP Central Committee) and the Premier of the State Council. The diary covers the period from April 15, 1989 to June 24, 1989, when Li Peng was a member of the Politburo Standing Committee and Premier of the State Council. Bao Park said that, apart from converting the diary from the original simplified Chinese characters to traditional Chinese characters, "nothing will be added, nothing will be subtracted, and nothing will be changed" in the book. The book was later published in the United States.
Few books on recent Chinese history have caused such controversy as "The Tiananmen Papers". The book is ostensibly a collection of original documents compiled by Zhang Liang, a pseudonym for someone claiming to be a high-ranking CCP official who leaked the papers. The book’s credibility was aided by it being edited by two well-known western scholars of China, Perry Link, then of Princeton University and now of the University of California, Riverside, as well as Columbia University professor Andrew J. Nathan. An introduction was written by Orville Schell, a well-known writer on China who was then a professor at the University of California, Berkeley.
Almost immediately upon publication, the book was criticized for its unclear provenance, a point aided by Zhang Liang’s anonymity. Most scholars agreed that the papers were a mixture of previously released documents from government offices, which were uncontroversial, and accounts of meetings between senior leaders. The latter came under scrutiny, with some saying that the language appeared stilted or seemed to mix in language used in leaders’ public speeches.
This essay by the well-known Hong Kong publisher Bao Pu points out that since 2004, most people seem to feel that the issue of provenance will never be settled but that the documents are still important historically. Bao critiques this, using books published over the past two decades to update the question of authenticity. In careful language, he further questions key points of the documents, showing that they do not match new material, such as memoirs. Bao's conclusion: the Tiananmen Papers are not documents from the CCP’s archive, which is their claim, but rather works of dubious origin that cannot be used to better understand the events leading up to the massacre of civilians on the night of June 3-4, 1989. The top-secret documents, Bao writes, are a “phantom” that must not be used as building blocks for history.
This book is a compilation of some of Gao Hua's speeches, book reviews, commentaries on current affairs, reviews of student papers, and lecture transcripts. It includes his studies and reflections on themes around revolution, civil war, and nationalism, his comments on the works of Long Yingtai, Wang Dingjun, and Mao Zedong, and his observations on Taiwan's social and political realities during his visits to Taiwan. In addition, the book contains a selection of Gao Hua's lecture notes on the theory and methodology of historiographical research, as well as on the production of official historical narratives and the development of folk history, enabling readers to gain further understanding of the philosophy and methodology behind Gao Hua’s research.
The book was published by Guangxi Normal University Press in November 2015 before the fourth anniversary of Gao Hua's death, for which the publisher was disciplined by the Central Propaganda Department and the State Administration of Press, Publication, Radio, Film and Television.