In August 2008, after the 100-day anniversary of the Sichuan earthquake, rescue teams began to withdraw and the media stopped reporting on the casualties of school employees, teachers, and students. Chengdu environmental worker Tan Zuoren and local volunteers, however, were still searching for the cause of the collapse of school buildings within the ruins. As winter arrived, Tan Zuoren and his colleague Xie Yihui trekked through more than 80 towns and villages in 10 counties and cities, covering a total of 3,000 kilometers. Finally, before the May 12 anniversary, they issued a report of their investigation, which was the first independent inquiry report on the Sichuan earthquake’s impact on schools. At the same time, Beijing artist Ai Weiwei furthered civilian investigation and new volunteers arrived in Sichuan to search for the names of students who died. This documentary is an incomplete record of a civilian investigation and a piece of testimony submitted to the court charging Tan Zuoren with “suspected subversion of the state.”
This film is in Chinese with Chinese subtitles.
This film records the story of Liu Xianhong, a woman from rural Xingtai, Hebei, who contracted AIDS through a blood transfusion in the hospital and decided to publicly disclose her identity and sue the hospital. After fighting in the courts, she finally received compensation. This documentary demonstrates the surging awareness of civil rights in rural China at the grassroot level through depicting the experiences of several families and the concerted efforts of patients to form “care” groups to collectively defend their civil rights. Due to public awareness, media intervention, and legal aid, the government also introduced new policies to improve the situations of patients and their families.
This film is in Chinese with both English and Chinese subtitles.
On February 9, 2010, Tan Zuoren was tried in the Chengdu Intermediate People’s Court for the crime of inciting subversion against the state. Ai Xiaoming and her team recorded the three days before and after the verdict, the mindsets of Tan Zuoren’s friends and relatives, and how the lawyers carried out their work.
This film is in Chinese with Chinese subtitles.
The year 2003 was known as the birth of the Weiquan—the rights defense–movement, which was marked by the Sun Zhigang incident in Guangzhou. At the same time, a campaign began to get justice for Huang Jing, a teacher from Hunan who was sexually assaulted and killed by her boyfriend. The campaign involved the victim’s family, netizens, feminist scholars and activists, and lasted for several years. This documentary records the process of Huang Jing’s case from filing to post-judgement, and analyzes the broader issue of sexual violence against women in China.
The films in this series are in Chinese with Chinese subtitles.
A five-part documentary by the filmmaker and feminist scholar Ai Xiaoming on the persecution of inmates at the Jiabiangou labor camp in Jiuquan, Gansu province, where more than 2,000 people died. The movie includes interviews with the few remaining survivors and documents efforts to commemorate the dead. The director interviewed survivors of Jiabiangou and the children of the victims and listened to their stories about the past; she also found former correctional officers and their descendants to understand the causes of labor camps and the Great Famine from different angles.
Shot by Ai and a team of volunteers, the film presents the conflict between the preservation and destruction of memory.
Wang Lihong is a Beijing netizen, civilian journalist, and public service volunteer. Wang was accused of “picking quarrels and provoking trouble” for supporting three netizens in Fujian. On August 12, 2011, the case was heard for the first time in the Wenyuhe Court of the People's Court of Chaoyang District, Beijing. This film includes interviews with Wang Lihong's relatives, friends, defense lawyers and netizens, and records the historical scene of onlookers in the courts.
Ai Xiaoming’s film “Postcard,” also released in 2011, elaborates Wang Lihong’s activism in broader strokes, while “Let the Sunshine Reach the Earth” focuses on the process of her trial.
This film is in Chinese with Chinese subtitles.
In late January 2014, on the eve of the Lunar New Year, Xu Zhiyong, Zhao Changqing, Ding Jiaxi and other advocates of the New Citizens’ Movement were charged with "gathering a crowd to disrupt order in a public place." The case was heard for the first time in courts at different levels in Beijing. This film intersperses on-site records with interviews with defense lawyer Zhang Qingfang, scholar Guo Yuhua, entrepreneur Wang Ying, and others to present citizens' understanding of the New Citizens' Movement.
This series of films are in Chinese with Chinese subtitles.
As one of China's foremost feminist activists and thinkers, Ai was interviewed by the Global Feminisms Project at the University of Michigan. In this interview, Ai talks about her upbringing as well as about the current state of feminism in China and its outlook.
This documentary records the stories of the 2008 Sichuan earthquake. The narrators mainly consist of the parents of students who fell victim to the earthquake, and the film is interspersed with comments from media workers, independent scholars, internet authors, geologists, and environmental protection and legal workers. They expressed their views on the Sichuan earthquake from different perspectives.
This film is in Chinese with Chinese subtitles.
Yao Lifa, a teacher from Hubei, was an independent candidate for the 2003 General Election of Deputies to the National People’s Congress. This documentary records the process in which Yao publicized and educated the public on election laws, and his experience with the grassroot electoral campaign. This documentary also reflects the budding grassroot awareness of civil rights in China through voices from the media and ordinary people.
This film is in Chinese with Chinese subtitles.
After retiring from her job as a cadre, Wang Lihong fulfilled what she saw as her civic responsibility to become more active in women’s rights in China, especially the protection of their legal rights. In 2009-2010, she became involved in the “Fujian Netizen Case,” which resulted in the arrest of three human rights activists, who all sought to investigate the death of a 25-year-old women believed to have been murdered in a gang rape by men associated with the local police. Wang Lihong wrote letters to the General Secretary of the Fujian Provincial Committee of the Communist Party of China every day for nine consecutive days, calling on the authorities to let them go home for the New Year. For this reason, she was criminally detained by the authorities in March 2011 on suspicion of "picking quarrels and provoking trouble." The case was heard by the Beijing, Chaoyang District People's Court on August 12; nearly a month later, on September 9, the court issued a guilty verdict and sentenced Wang Lihong to nine months in prison. The film documents her case, and raises questions about the accountability of the local government and police. Another one of Ai Xiaoming’s films, “Let the Sunshine Reach the Earth,” documents Wang Lihong’s trial process in more detail.
This film is in Chinese with Chinese subtitles.
In this film, the filmmaker accompanied volunteer Xie Yihui as she visited the parents of students who died in the 2008 Sichuan earthquake to find people with knowledge of the architectural blueprint of the Beichuan Middle School. This documentary presents the rise of earthquake tourism and records the mindset of volunteers, bereaved parents, and tourists at the anniversary of the earthquake. This film is interspersed with historical film materials of Beichuan Middle School’s building samples taken by parents in 2008, as well as architect Zhu Tao’s analysis of the construction drawings and building quality. It also shows the perceptions of mothers, teachers, and photographers.
This series of films are in Chinese with Chinese subtitles.
In the fall of 2005, residents of Taishi Village became increasingly frustrated and angered by the sale of land by village officials; hundreds of villagers signed a petition calling for the removal of the village chief. The villagers occupied the village committee’s financial office and expressed their demands through sit-ins and other forms of protests. The government dispatched the police to arrest village activists, but the villagers insisted on starting a formal recall process. The government finally sent a team to the village to verify the signatures for the petition.
<i>The Taishi Village</i> recall incident generated attention from Chinese and foreign media, and caused uneasiness among local government officials. On September 12, 2005, police arrested dozens of villagers who were participating in a sit-in in the village committee room. Despite the pressure, villagers elected a committee to remove the village committee director. The government then dispatched more men to exert pressure, forcing elected members to withdraw one by one. Hired patrol teams eventually drove lawyers and reporters out of the village.
This documentary records the protest scenes and tragic ending of Taishi village’s movement for autonomy, and presents the surging rights consciousness in rural areas in Guangdong. This incident demonstrates villagers’ ability to exercise their right to vote and the government’s inertial approach to grassroots democracy movements.
This documentary is in Chinese with Chinese subtitles.
Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
As the Lunar New Year approached in 2008, the main north-to-south railway line, the Beijing-Guangzhou line, was halted and the trains stopped running due to tickets being overbooked. With the trains still not running, thousands of migrant workers from Guangdong gathered at the Guangzhou Railway Station, waiting for trains bound for their hometowns. The Guangdong Province government immediately launched an emergency transportation plan. For the first time, the trading center hall where the Canton Fair was held was transformed into a waiting room for migrant workers. Many volunteers provided services to relieve the fears of worried migrant workers.
The crowd began to panic as rumors swirled, and people were trampled underfoot. One was a young female worker, Li Hongxia. Another migrant, Li Manjun, who was eager to travel home to get married, was electrocuted and died after attempting to jump onto the train. This documentary records the chaos at the Guangzhou Railway Station during the Lunar New Year’s Eve period, from January 27 to February 6, 2008. The filmmaker also visited Shenzhen, Shaoguan, Ruyuan, as well as conducted interviews in victims’ hometowns in Jianli, Hubei, and the rural regions of Yueyang, Hunan.
This film is in Chinese with both English and Chinese subtitles.
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum. This documentary records the attitudes of governments across China towards the play as well as women's perceptions of the play and its connection with their personal experiences. It also highlights the current political and cultural ecology of China.
Wukan is a village in Luwei City, under the jurisdiction of Shanwei City, Guangdong Province. From 2011 to 2016, Wukan villagers have continued to fight to protect their land and fight for villagers' rights. Facing strong pressure from the government, some even paid with their lives. In the process, the villagers had elected their own villagers' committee by one person, one vote to practice their democratic rights. Although the protests were eventually suppressed, the impact was far-reaching. Ai Xiaoming rushed to the scene at the beginning of the Wukan incident and left this precious record.
This film follows the stories of environmental activist Tan Zuoren and artist Ai Weiwei. In July 2009, Tan Zuoren was charged with the crime of “Inciting subversion of state power,” and his trial was held in Chengdu, Sichuan Province. Ai Weiwei was invited by Tan’s lawyer to testify in court, but the night before the trial, he was assaulted by the police and detained in a hotel. To everyone’s surprise, Ai turned on the tape recorder before the police entered his residence and managed to record the incident. Later, Ai and his colleagues released a documentary about this incident, titled “Disturbing the Peace” (or “Laoma Tihua”).
This film interviews the people behind the scenes of “Disturbing the Peace,” including the director, photographers, editors, and audiences of the film, who discuss the relationship between citizens and government authority.
This series of films are in Chinese with Chinese subtitles.
This collection of diary entries by Wuhan-based filmmaker and activist Ai Xiaoming showcases her life during the early months of the COVID-19 pandemic, from February to March 2020. In these diary entries, Ai shares the daily challenges which many Chinese people grappled with, as well as their hopes and questions for the government and Chinese society at large. Her diary also examines problems regarding the expanding powers of the Chinese government. The first entry of Ai’s diary was published in English by the New Left Review, which can be found here:
https://newleftreview.org/issues/ii122/articles/xiaoming-ai-wuhan-diary.
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum on December 7, 2003. This video is a recording of that performance.