Writer Wu Yisan is the founder of Hong Kong's May 7 Society, an organization dedicated to the collection, research and publishing of everything related to the anti-rightist campaign in 1957,to restore and present the truth about a period of history characterized by severe persecution of remedial intellectuals. Over the years, Mr. Wu has devoted himself to compiling The Dictionary of Names of 1957 Victims. As the Chief Editor of The Hong Kong May 7 Society Publishing House, he also published The Biography of the Rightists of the May 7.
This book is a collection of his political papers, comprising more than 50 published and unpublished essays primarily written between 2004 and 2009, criticizing CCP from various perspectives, including history, current affairs, and culture.
Writer Wu Yisan is the founder of Hong Kong Five-Seven Society, an organization established in 2007 and dedicated to the collection, research and publishing of everything related to the Anti-Rightist campaign in 1957, to restore and present the truth about a period of history characterized by severe persecution of intellectuals. Over the years, Mr. Wu has devoted himself to compiling *[The Dictionary of Names of 1957 Victims](https://minjian-danganguan.org/collection/1957%E5%B9%B4%E5%8F%97%E9%9A%BE%E8%80%85%E5%A7%93%E5%90%8D%E5%A4%A7%E8%BE%9E%E5%85%B8)*. As the Chief Editor of The Hong Kong Five-Seven Society Publishing House, he also published *The Biographies of the 1957 Rightists* and *[New Biographies of the 1957 Rightists](https://minjian-danganguan.org/collection/%E2%80%9C%E4%BA%94%E4%B8%83%E2%80%9D%E5%8F%B3%E6%B4%BE%E5%88%97%E4%BC%A0%EF%BC%88%E4%B8%8A%EF%BC%89)*.
This book is a collection of Wu’s political essays, including nearly one hundred of his published and unpublished essays and speeches between 1999 and 2017, including historical and current affairs analyses, with an emphasis on commentaries of persecuted intellectuals and political dissidents. These people are often called "traitors of China (han jian)" by CCP, but Wu Yisan argues that the CCP is the real traitor that betrays the country and its people.
Our archive also hosts another anthology of his, *[Is Chen Yi a Good Comrade](https://minjian-danganguan.org/collection/%E6%AD%A6%E5%AE%9C%E4%B8%89%E6%94%BF%E8%AE%BA%E6%96%87%E9%9B%86%EF%BC%881%EF%BC%89)*?
This document, declassified in January 2015, contains a 1989 diplomatic memorandum from the Canadian Embassy in Beijing. It describes the circumstances surrounding the June 4 massacre as they were known to officials at the Canadian embassy.
The documents, declassified by the National Library and Archives of Canada, show the Canadian government's concern about the invasion of the embassy by Chinese troops. The documents also describe the crackdown in Beijing and how the troops killed citizens.
An estimated 460,000 to 1.4 million people were persecuted in the Anti-Rightist Campaign (1957-1959). The event was one of the most important political campaigns in the history of the People's Republic because it effectively silenced independent intellectual thought in the Mao era, paving the way for disasters, such as the Great Famine and the Cultural Revolution.
Wu Yisan spent more than ten years researching the lives of this campaign's victims. At 33,000 entries, the list is far from complete but it gives the human perspective on the tragedy in a scope never before attempted. Among the devastating details is the story of Qian Zhongshu, one of 20th century China's best-known writers. Qian's father, Qi Jibo, had been declared a Rightist but died before he could be publicly humiliated. So Qian Zhongshu and his brother-in-law Shi Shenghuai, were forced to attend a mass rally and be criticized in his place. They did so while holding the dead man's "spirit tablet," a piece of wood used in a family shrine with the deceased name, and birth and death dates.
The dictionary was originally published as a CD-Rom. Mr. Wu has made the text version available to the China Unofficial Archive and we are now working to make it a searchable PDF for those who cannot access the CD-Rom version. The Dictionary of Names of 1957 Victims was published by the Humanities Publishing Center and funded by the Laogai Research Foundation.
The domestically-released version of "Petition" consists of three parts: “The Masses,” “Mother and Daughter” and “Beijing South Railway Station.” Part one, “The Masses,” brings together the stories of petitioners of various backgrounds, who all for different reasons, ended up walking the same path. “The Masses” gives a comprehensive account of what is petitioning and and follows the process.
Part two, "Mother and Daughter," follows the story of Huaying, who brought her daughter Xiaojuan alongside her from the countryside of Jiangsu to Beijing to petition when Xiaojuan was only four years old. Over the next twelve years, they lived a wandering life. "Mother and Daughter" spans the longest period among all the parts of Petition, from 1996 to 2008. It witnesses the growth of Xiaojuan over ten years of petitioning, not only describing the sorrow of Chinese petitioners, but also revealing how long-lasting petitions cases affect the fate of the next generation. In official reports, petitioners lack a voice and appear to be even more marginalized under the media’s tactics. It also raises the issue of forced psychiatric confinement of individuals the Chinese government deems difficult.
“Beijing South Railway Station" surveys the "petitioner village," a residential area near the station that was once home to tens of thousands of people from all over the country. It was eventually demolished by authorities in preparation for the 2008 Olympics. The film captures bungalows being knocked down, shacks being flattened, and security police chasing after residents, the latter not given the time to grab any necessities.
Zhao Liang recalls dressing like the interceptors when filming interceptors, and dressing like a petitioner while filming petitioners. “I had several outfits, and tried to stay low key, using the smallest cameras possible.” The film went on to win the Halekulani Golden Orchid Award for Best Documentary Film at the 29th Hawaii International Film Festival, and a Humanitarian Award for Documentaries at the 34th Hong Kong Film Awards.