This film records the story of Liu Xianhong, a woman from rural Xingtai, Hebei, who contracted AIDS through a blood transfusion in the hospital and decided to publicly disclose her identity and sue the hospital. After fighting in the courts, she finally received compensation. This documentary demonstrates the surging awareness of civil rights in rural China at the grassroot level through depicting the experiences of several families and the concerted efforts of patients to form “care” groups to collectively defend their civil rights. Due to public awareness, media intervention, and legal aid, the government also introduced new policies to improve the situations of patients and their families.
This film is in Chinese with both English and Chinese subtitles.
Born in 1932, He Fengming and her husband Wang Jingchao were both labeled "rightists" during their work at the Gansu Daily Newspaper. In late April 1958, they were sent down to work at the Anxi Farm in Jiuquan. Her husband was sent to the famed Jibiangou Farm, where he died of starvation during the famine of 1960, but she survived. In order to refuse to forget, she spent ten years writing a 400,000-dollar self-narrative, *Experience - My 1957*. The book was published by Dunhuang Literary Publishing House in 2001.
This book was originally published in the series *Micro Traces of the Past* - Documentary Volume - No. 6, edited by Huang Heqing, founded in 2007. Gan Cui, a student at Renmin University of China, was classified as a rightist in 1957. He became lovers with Lin Zhao, a rightist student who came from Peking University to work in the data room. Gan Cui was later sent to Xinjiang. When he returned, he learned that Lin Zhao had been killed. This book (in 140,000 words) is a manuscript of Gan Cui's memories of Lin Zhao in the context of the 1989 pro-democracy movement.
The year 2003 was known as the birth of the Weiquan—the rights defense–movement, which was marked by the Sun Zhigang incident in Guangzhou. At the same time, a campaign began to get justice for Huang Jing, a teacher from Hunan who was sexually assaulted and killed by her boyfriend. The campaign involved the victim’s family, netizens, feminist scholars and activists, and lasted for several years. This documentary records the process of Huang Jing’s case from filing to post-judgement, and analyzes the broader issue of sexual violence against women in China.
The films in this series are in Chinese with Chinese subtitles.
This book is a biography of Lin Zhao written by mainland writer Zhao Rui and published by Taiwan's Xiuwei Information Publishing House in 2008. The book describes Lin Zhao's life and family background in detail. The "Appendix" contains the recollections of several people involved.Purchase link: https://www.books.com.tw/products/0010431680.
Hu Jie narrates the life of Lin Zhao, a Christian dissident who was condemned as a Rightist in the late 1950s and executed during the Cultural Revolution. Prior to becoming a mentcritic of the government, Lin Zhao was an ardent believer of communism. She demonstrated talent in writing and speaking as a star student in Peking University. However, after criticizing the government in 1957 during the Hundred Flowers Campaign, she was cast as anti-revolutionary. Despite the government’s attempts to silence her, Lin Zhao continued to speak and write publicly, including contributing two epic poems to Spark, an underground student-run journal. In 1960, she was arrested, and despite being released briefly in 1962, spent the rest of her life behind bars, under extremely poor living conditions. Nevertheless, she continued to write in prison, sometimes with her blood. In 1968, at the age of 36, she was executed by a firing squad.
In this documentary, Hu Jie showcases many of Lin Zhao’s surviving writings and poetry. These pieces often contain criticisms of the communist regime, as well as commentary on policy issues pertaining to labor and land reform. In making this film, Hu Jie traveled around China to interview friends and associates of Lin Zhao, who knew her as a student, activist, or prisoner. This documentary includes excerpts from interviews with them, which inform us about Lin Zhao’s personality and motivations.
This documentary has contributed to a widespread revival of interest in Lin Zhao, who had almost become a forgotten figure until the film’s appearance.
The Lin Zhao Anthology contains nearly one hundred of Lin Zhao's works, including essays, poems, commentaries, and news reports written since her middle school years, as well as all of Lin Zhao's manuscripts and letters that were written in prison and later returned to her family. The collection was edited and compiled by Lin Zhao's friends Tan Chanxue (see separate entry) and Ni Jingxiong, and printed into a book on their own. Most of Lin Zhao’s manuscripts written in her blood in prison were typed on computer by Tan Chanxue. This anthology is the most important historical material used by Prof. Lian Xi of Duke University for his research and writing of the book "Blood Letters: The Untold Story of Lin Zhao, a Martyr in Mao's China."
This book contains a number of articles in memory of Lin Zhao. It concerns the death of Lin Zhao as well as Lin Zhao's love, pursuits, and disillusionment. This book was published by Changjiang Literature and Art Publishing House in 2000.
Independent director Tiger Temple began shooting this film in 2010 and completed it in 2012, with subsequent revisions. The film features interviews with Lin Zhao's former lover Gan Cui as well as interviews with several independent scholars such as Qian Liqun and Cui Weiping. It is a powerful addition to Lin Zhao's memory. This film was selected as one of the top 20 finalists in the 2012 Sunshine Chinese Documentary Awards.
Luo Xiaojia, a young Yunnan Yi girl was trafficked to the plains of Shandong at the age of 17 and forced to marry a young farmer in the area. The film documents her family life in the unfamiliar Shandong countryside and her longing for home. In her tenth year in Shandong, she finally fights for the opportunity to return home. After a 4,000-kilometer journey, she returns to her hometown of Yunnan and sees her mother, whom she misses day and night. However, she struggles with conflicting emotions, and returns to Shandong with a mountain song that her mother sings for her. This movie reflects the sad fate of trafficked women in China and the social psychology that follows these tragedies.
Author Eva writes about her relationship with Gao Yaojie, a Chinese doctor. Dr. Gao Yaojie, who was severely repressed by the Chinese government for exposing the mass infection of Chinese farmers in Henan Province, China, by selling their blood, had no choice but to leave China at the age of 78 and go into exile in the United States. The dissemination of her story is strictly forbidden in China. In this book, author Eva describes Gao Yaojie's noble heart, her story, and her experiences.
On January 27, 1970, Wang Peiying, a cleaner at a kindergarten in Beijing, was sentenced for counter-revolutionary crimes at a 100,000-person public trial held at the Workers' Stadium in Beijing. She was then taken to the execution ground along with a dozen other political prisoners to be executed by firing squad. Wang Peiying was strangled to death in the torture wagon because she preferred to die rather than give in and shout slogans. Forty years later, her daughter, Kexin, began to search for her mother's story. Through her mother's coworkers, friends in distress, and the task force, she gradually discovers her mother's experience as an active counterrevolutionary. In order to protect her conscience, Wang Peiying chose to stand up for her dignity and freedom to tell the truth, and willingly endured brutal torture. The documentary reflects the brutality of the Cultural Revolution and the destruction of humanity.
As one of China's foremost feminist activists and thinkers, Ai was interviewed by the Global Feminisms Project at the University of Michigan. In this interview, Ai talks about her upbringing as well as about the current state of feminism in China and its outlook.
After retiring from her job as a cadre, Wang Lihong fulfilled what she saw as her civic responsibility to become more active in women’s rights in China, especially the protection of their legal rights. In 2009-2010, she became involved in the “Fujian Netizen Case,” which resulted in the arrest of three human rights activists, who all sought to investigate the death of a 25-year-old women believed to have been murdered in a gang rape by men associated with the local police. Wang Lihong wrote letters to the General Secretary of the Fujian Provincial Committee of the Communist Party of China every day for nine consecutive days, calling on the authorities to let them go home for the New Year. For this reason, she was criminally detained by the authorities in March 2011 on suspicion of "picking quarrels and provoking trouble." The case was heard by the Beijing, Chaoyang District People's Court on August 12; nearly a month later, on September 9, the court issued a guilty verdict and sentenced Wang Lihong to nine months in prison. The film documents her case, and raises questions about the accountability of the local government and police. Another one of Ai Xiaoming’s films, “Let the Sunshine Reach the Earth,” documents Wang Lihong’s trial process in more detail.
This film is in Chinese with Chinese subtitles.
<i>Spark</i> tells the story of a group of young intellectuals who risked their lives to voice their opinions about the Chinese Communist Party in the 1950s and 1960s. Following the Hundred Flowers Campaign of 1957, many intellectuals were branded as Rightists and banished to work and live in rural China. A group of students from Lanzhou University were among those sent to the countryside. There, they witnessed mass famine which resulted from government policies to collectivize agriculture and force industrialization in rural China. Shocked and angered by the government’s lack of response to the Great Famine, these students banded together to publish <i>Spark</i>, an underground magazine that sought to alert the Chinese population of the unfolding famine. The first issue, printed in 1960, included poems and articles analyzing the root causes of failed policies. However, as the first issue of <i>Spark</i> was mailed and the second issue was edited, many of these students, along with locals who supported the team, were arrested. Some of the key members of the publication were sentenced to life imprisonment and later executed, while others spent decades in labor camps.
In this 2014 documentary, Hu Jie uncovers the stories of the people involved in the publication of <i>Spark</i>. He conducts interviews with former members of the magazine who survived persecution, and also shows footage of the manuscripts of the magazine. A digital copy of the original manuscript of the first volume of <i>Spark</i> is also held on our website.
This film was awarded the Special Jury Prize for Chinese Documentary at the 2014 Taiwan International Documentary Film Festival and the Award of Excellence in the Asian Competition. Later, it won the Independent Spirit Award at the Beijing Independent Film Festival.
<i>Spark</i> was an underground magazine that appeared in the Tianshui area of Gansu Province in northwestern China during the 1959-1961 Great Famine. The magazine was lost for decades but in the late 1990s began to be republished electronically, becoming the basis of documentary films, essays, and books.
In 1959, the Great Famine was spreading across China. It was witnessed by a group of Lanzhou University students who had been branded as Rightists and sent down to labor in the rural area of Tianshui. They saw countless peasants dying of hunger, and witnessed cannibalism.
Led by Zhang Chunyuan, a history student at Lanzhou University, they founded <i>Spark</i> in the hope of alerting people to the unfolding disaster and analyzing its root causes. The students pooled their money to buy a mimeograph machine, carved their own wax plates, and printed the first issue. The thirty-page publication featured Lin Zhao's long poem, "A Day in Prometheus's Passion." The first issue also featured articles, such as "The Current Situation and Duty," which dissected the tragic situation of society at that time and hoped that the revolution would be initiated by the Communist Party from within.
The students planned to send the magazine to the leaders of the provinces and cities with a view to correcting their mistakes. But before the first issue of Spark was mailed and while the second issue was still being edited, on September 30, 1960, these students in Wushan and Tianshui were arrested, along with dozens of local peasants who knew and supported them. Among them: Zhang Chunyuan was sentenced to life imprisonment and later executed; Du Yinghua, deputy secretary of the Wushan County Committee of the Chinese Communist Party, was sentenced to five years' imprisonment for having interacted with the students, and later executed. Lin Zhao was detained and also executed. Other key members, such as Gu Yan, Tan Chanxue, and Xiang Chengjian, were all sentenced to long years in labor camps.
In the 1990s, Tan Chanxue devoted herself to researching historical information and figures to bring this history to life. She found in her personnel file (<i>dan'an</i>)photographs of the magazine, as well as self-confessions and other evidence used in the students' trial. Eventually, the photos were collated into PDFs, which began to circulate around China.
Editors' note: This site the original handwritten version and a PDF of all the articles from the first issue of <i>Spark</i>. We will also make available transcripts of the essays in Chinese and are searching for volunteers to translate the texts into English. Please contact us if you're interested in helping!
During the worst years of the 1960 famine, a group of teachers and students at Lanzhou University decided to publish an underground publication, <i>Spark</i>, to alert Chinese people to the growing disaster and expose the authoritarianism of the Chinese Communist Party. Only two issues of this underground publication were printed before it was broken up as a counter-revolutionary group case and 43 people were arrested.
The author of this book, Tan Chanxue, was a key participant and helped save the memory of <i>Spark</i> from being lost. Tan was the girlfriend of Zhang Chunyuan, the magazine's founder, and participated in key moments of the magazine's short lifespan. She was sentenced to 14 years in prison, but was later released and rehabilitated, and taught at the Jiuquan Teachers' Training School. In 1982, she was transferred to the Dunhuang Research Institute as an associate researcher, and retired in 1998, settling in Shanghai.
It is largely through Tan's efforts that we know about <i>Spark</i>. She was able to look into her personnel file (<i>dang'an</i>), where she discovered the issues of the magazine, as well as confessions of the people arrested, and even her love letters to Zhang. She photographed this material and later it was turned into PDFs, which circulated around China starting in the late 1990s, helping to inspire books and movies.
Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
Lin Zhao, formerly known as Peng Lingzhao, a native of Suzhou, was admitted to the journalism department of Peking University in 1954, but was classified as a Rightist in 1957. She was arrested and imprisoned in October 1960 because of her involvement with the underground magazine <i>Spark</i>. In 1965, Lin Zhao was sentenced to 20 years' imprisonment for "counter-revolutionary crimes." On April 29, 1968, she was sentenced to death and executed on the same day at the age of 36. This book is a collection of more than sixty articles written in memory of Lin Zhao.
<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum. This documentary records the attitudes of governments across China towards the play as well as women's perceptions of the play and its connection with their personal experiences. It also highlights the current political and cultural ecology of China.