The author of this book, Kong Lingping, who lives in Chongqing, was labeled as a rightist in his youth. He has lived through all the political movements of the Chinese Communist Party (CCP). This book is based on the author's own experience, from birth to 2009.
In 1984, CCP’s reformist leader Hu Yaobang sent more than 1,300 officials to Dao County in Hunan Province to investigate mass killings that occurred in 1967 during the Cultural Revolution. Tan joined the team for part of its stay in Dao County. As a writer for a state publication, Tan gained a number of documents unearthed during the investigation and conducted interviews, based on which he wrote an article of 100,000 characters. His editors, however, said it could not be published because the political climate was changing with the start of the "bourgeois liberalization" campaign, which eventually led to Hu's fall. Tan decided to continue his investigation and traveled to Dao County many times to do follow-up interviews. Tan collected millions of words of information, including nearly 400 case studies, and interviewed almost all the key figures who agreed to be interviewed.
In 2010, Tan published Blood Myths: the 1967 Mass Killings in Dao County, Hunan Province during the Cultural Revolution through Hong Kong-based Tianxingjian Publishing House. This nine-volume work consists of 83 chapters and more than 500,000 characters. According to Tan's investigation, in the 66 days from August 13 to October 17, 1967, more than 9,000 villagers, including women and children, were killed or forced to commit suicide because they were wrongly accused of engaging in counter-revolutionary activities. More than 14,000 people were directly implicated in the killings, including 426 state cadres, 2,767 village officials, and 3,880 Communist Party members. Unlike works on the history of the Cultural Revolution previously published in China that focused on the persecution of intellectuals, this book presents the systematic violence suffered by villagers. The book contains not only the words and stories of a large number of those killed, but also those of the killers and others involved, enabling readers to develop an all-encompassing, multi-faceted understanding of this tragic event. According to Yang Jisheng (see separate entry), most of the information about the mass killings currently circulating at home and abroad originated from Tan's investigations and interviews.
The book was reprinted in 2011 and a revised edition was published in 2016, expanding the book to 700,000 words. In 2017, Oxford University Press published <i><a href="https://global.oup.com/academic/product/the-killing-wind-9780190622527?cc=us&lang=en&">The Killing Wind: A Chinese County's Descent into Madness during the Cultural Revolution</a></i>, an edited and condensed (with Tan's permission) version of the book by Stacy Mosher and Guo Jian.
Jiabiangou was a labor reform farm in Jiuquan County, Gansu Province, where "rightist" prisoners were held. October 1957, nearly 3,000 educated people were detained there. In October 1961, when the higher-ups corrected the "left-leaning" mistakes of the Gansu Provincial Party Committee and began repatriating the rightist prisoners, less than half had survived.
Writer Yang Xianhui spent five years interviewing more than a hundred people and brought to light the truth that had been sealed for more than forty years. Originally published by Tianjin Ancient Books Publishing House in 2002, this book also includes other short and medium-sized stories by Yang Xianhui.
In 1959, in the desolate Lingyuan area in the western part of Liaoning Province, a group of intellectual rightists from the Shenyang University arrived. There, they were to labor and be reformed alongside criminal prisoners in the prison, while digging mines to build railroads. How did the Communist Party reform the intellectuals? What kind of encounters did these rightist intellectuals go through? Hu Jie's camera restores this history.
In 1957, two hundred teachers, students, and cadres from Kunming, Yunnan were among the hundreds of thousands of Chinese people labeled as “Rightists” for criticizing the Chinese Communist Party. They were sent to the East Wind State Farm, located in Mi-le County in Yunnan, for 21 years of “thought reform” in the countryside. These inmates witnessed the policies of the Great Leap Forward first-hand: they took part in deforestation, agricultural, and industrial projects in the countryside, which precipitated the Great Famine. Later, during the Cultural Revolution, their camp was visited by large groups of youths “sent down” from the cities, who worked on the farm with the “Rightists.” In 1978, these “Rightists” were finally rehabilitated and allowed to leave.
This documentary examines the policies and campaigns of the Maoist era through the eyes of those who were persecuted and exiled. Director Hu Jie pieces together this long and complex story through collecting dozens of extensive interviews with inmates as well as staff who served through decades of the camp’s existence. These people’s vivid memories and personal accounts shed light on the harrowing lifestyle of not only the two hundred “Rightists” of East Wind State Farm, but also the scores of dissidents and youths who experienced the Great Leap Forward and the Cultural Revolution.
Born in 1932, He Fengming and her husband Wang Jingchao were both labeled "rightists" during their work at the Gansu Daily Newspaper. In late April 1958, they were sent down to work at the Anxi Farm in Jiuquan. Her husband was sent to the famed Jibiangou Farm, where he died of starvation during the famine of 1960, but she survived. In order to refuse to forget, she spent ten years writing a 400,000-dollar self-narrative, *Experience - My 1957*. The book was published by Dunhuang Literary Publishing House in 2001.
The author Wang Ming was an early member of the Communist Party of China (CCP) and the first of the "28 and a half Bolsheviks," who lost power after the Yan'an Rectification and were gradually marginalized by Mao. After the Yan'an Rectification, the Internationalists, led by him, lost power in the party. He was gradually ostracized by Mao Zedong, who expatriated him to the Soviet Union in 1956. In his book, Wang Ming recounts his decades-long feud with Mao. It provides a fascinating insight into the early history of the CCP.
“In Search of My Homeland” is a collection of essays in three volumes written by Gao Ertai during his exile abroad. In this book, Gao looks back on his life. From his hometown of Gaochun, a small town in Jiangsu Province, to Suzhou, then to Lanzhou, Jiuquan, Dunhuang, Beijing, Chengdu, and the United States, Gao has undergone tremendous suffering, lost his home and family, and finally had to go into exile in a foreign country. Even though the work is widely regarded as having great literary merit, Gao uses real names and places, which makes the work a valuable historical document, especially for describing the Great Famine, and the brutal suppression of intellectual life during the Cultural Revolution at the Dunhuang research academy, which is one of China's most prestigious cultural institutions.
In an [interview](https://web.archive.org/web/20240130211408/https://www.aisixiang.com/data/80804.html), Gao explained why he wrote the book: "Searching for my homeland is nothing but searching for meaning.... Life is short and small, and its meaning can only be rooted in the external world and in the long history. My sense of drift and meaninglessness, that is, a feeling that the world has no order, history has no logic, and the individual has no home, seems to be a kind of destiny. My writing is nothing but a resistance to this destiny."
In 2004, a censored version of the first two volumes of this book was published by Huacheng Publishing House in Guangzhou; in 2011, an updated version was published by Beijing October Arts and Literature Publishing House, but still censored. The version uploaded to our archive is the traditional Chinese version of the complete three volumes published by Taiwan INK Publishing House in 2009.
Li Jinghang, a native of Tianshui City, Gansu Province, 1922-2016, graduated from the Mathematics Department of the Northwest Normal College in 1949. In the fall of the same year, he was employed as a mathematics teacher at Tianshui No. 1 Middle School. In 1957, he was wrongly classified as a Rightist and sent to Jiuquan, Gansu Province to be reeducated through labor for nearly three years; in 1960, he resumed his work as a teacher at Tianshui No. 1 Middle School. In 1962, he removed his hat as a Rightist. He was rehabilitated in 1978. In 1980, he was transferred to Tianshui Teachers' College (which was upgraded to an undergraduate institution in 2000). After retiring in the fall of 1987, he joined the Church to serve full-time.
In 1957, Li Jinghang was labeled a rightist and sent to Jiabiangou for re-education through labor. In 1960, he was transferred to the Mingshuihe Farm in Gaotai, where the conditions were even worse, and he was subjected to a great deal of torture and abuse. The fourth chapter of his autobiography, "Chronicle of the bitter life in Jiabiangou," and the fifth chapter, "Chronicle of the life after returning home," are written about his bitter experience in Jiabiangou. From this, we can see the glory of humanity and the power of faith in the midst of suffering. This book was published by a Hong Kong Tianma Book Company Limited in 2003, with a print run of 2,000 copies, and reprinted once in 2004.
"Life and Death In Shanghai" (also known as "Shen Jiang Meng Hui") is an autobiography by female writer Zheng Nian. First published in English in 1986, it was subsequently translated into various languages and published in various countries. In the book, Zheng Nian recounts her personal experiences from the beginning of the Cultural Revolution to her departure from China in the early 1980s. After her release from prison in 1973, she learned that, shortly after her imprisonment, her only daughter, Zheng Meiping, had been persecuted and had died. She then tried to find out the cause of her daughter's death. The book traces how the ideals of intellectuals were crushed by politics.
On August 8, 1966, the Central Committee of the Communist Party of China adopted the "Sixteen Articles" of the Cultural Revolution. Soon after, Liu Wenhui, a young mechanic in Shanghai who had been labeled as a Rightist in 1957, wrote pamphlets and leaflets clearly opposing the Cultural Revolution, the "Sixteen Articles," authoritarianism, and tyranny. Liu was arrested on November 26 of that year. Four months later, he was executed for "counter-revolutionary crimes." Liu Wenhui became the first person known to have been publicly shot for opposing the Cultural Revolution. The author of this book, Liu Wenzhong, was Liu Wenhui's co-defendant and survived thirteen years in prison. In this autobiography, Liu Wenzhong describes in detail not only Liu Wenhui's ideology but also how he was killed by the tyrannical government.
This book contains a number of articles in memory of Lin Zhao. It concerns the death of Lin Zhao as well as Lin Zhao's love, pursuits, and disillusionment. This book was published by Changjiang Literature and Art Publishing House in 2000.
The author of this book, Mu Xin, was an early member of the CPC and served as chief editor of "Guangming Daily" in the 1950s. At the beginning of the Cultural Revolution, he was a member of the Central Committee's Cultural Revolutionary Group. In 1967, he was defeated and imprisoned in the Imperial Prison (Qincheng Prison). This book was published in Hong Kong in 1997. Because of the author's status, this book is helpful for understanding high-level circumstances during the pre-Cultural Revolution and early Cultural Revolution period.
This book presents the dramatic life of Mao Zedong, revealing a wealth of unheard-of facts: why Mao joined the Communist Party, how he came to sit at the top of the Chinese Communist Party, and how he seized China step by step. Writers Jung Chang and her husband Jon Halliday took ten years to complete this book, interviewing hundreds of Mao's relatives and friends, Chinese and foreign informants and witnesses who worked and interacted with Mao as well as dignitaries from various countries.
Purchase link:https://www.amazon.com/Mao-Story-Jung-Chang/dp/0679746323.
Independent director Tiger Temple began shooting this film in 2010 and completed it in 2012, with subsequent revisions. The film features interviews with Lin Zhao's former lover Gan Cui as well as interviews with several independent scholars such as Qian Liqun and Cui Weiping. It is a powerful addition to Lin Zhao's memory. This film was selected as one of the top 20 finalists in the 2012 Sunshine Chinese Documentary Awards.
When the Cultural Revolution broke out, Yang Xiaokai was a senior high school student at No. 1 Middle School in Changsha. On January 12, 1968, he published an article entitled "Where is China Going?" which systematically put forward the ideas of the "ultra-leftist" Red Guards, criticized the privileged bureaucratic class in China, and advocated for the establishment of a Chinese People's Commune based on the principles of the Paris Commune. Yang Xiaokai recalled that his parents were beaten because they sympathized with Liu Shaoqi's and Peng Dehuai's views, and that he was discriminated against at school and could not join the Red Guards. As a result, he joined the rebel faction to oppose the theory of descent. Yang Xiaokai was later sentenced to 10 years' imprisonment for this article. Yang Xiaokai died in 2004. This article is a retrospective of his life.
On January 27, 1970, Wang Peiying, a cleaner at a kindergarten in Beijing, was sentenced for counter-revolutionary crimes at a 100,000-person public trial held at the Workers' Stadium in Beijing. She was then taken to the execution ground along with a dozen other political prisoners to be executed by firing squad. Wang Peiying was strangled to death in the torture wagon because she preferred to die rather than give in and shout slogans. Forty years later, her daughter, Kexin, began to search for her mother's story. Through her mother's coworkers, friends in distress, and the task force, she gradually discovers her mother's experience as an active counterrevolutionary. In order to protect her conscience, Wang Peiying chose to stand up for her dignity and freedom to tell the truth, and willingly endured brutal torture. The documentary reflects the brutality of the Cultural Revolution and the destruction of humanity.
This book is a collection of many authors, most of whom were former senior officials of the Communist Party of China, such as Li Rui, Xiao Ke and others. Through the author's recollections, we can learn about the political movements of the Mao Zedong era, including the Cultural Revolution, the Anti-Rightist Movement, etc., as well as the details of many unjust cases, such as the Hu Feng case, which is quite convincing. This book was published by the Central Compilation and Translation Bureau Press in mainland China in 1998.
This book collects 25 essays by Peking University alumni. 20 Peking University graduates recall the Cultural Revolution they personally experienced and tell what they saw and heard. The essays cover several important events. For example, there are some details about the mastermind behind Nie Yuanzi's 1967 trip to Shanghai, and about Prof. Jian Bozan, who killed himself after suffering persecution. There is also a student's observation of the intricate contradictions of the Cultural Revolution and a compendium of the pre-Cultural Revolution socialist education movement. These recollections provide valuable information for the study of the history of the Cultural Revolution at Peking University.
This documentary interviews painters, Red Guards, as well as current collectors and researchers in China and the United Kingdom. It presents the emergence, spread, and impact of the propaganda posters during the Cultural Revolution. The film includes interviews with Liu Chunhua, the author of Chairman Mao Goes to Anyuan, Guangzhou painter Li Xingtao, Guangzhou old Red Guard Zhou Jineng, and others. Art museum personnels, art critics, journalists, professors, and researchers in both China and the United Kingdom speak about their understanding of the art of the Cultural Revolution from various perspectives.
This film is in Chinese with both English and Chinese subtitles.