This is a collection of essays by Cui Weiping, a professor at the Beijing Film Academy. The title, inspired by Hannah Arendt, covers a wide range of fields from poetry and movies to politics and ethics, and tells the stories of fascinating people, the construction of their inner world and external lives. These people include Hai Zi, Wang Xiaobo, Arendt, Woolf, Beauvoir, Tarkovsky, Kremer, Herbert, Havel, and many others. Behind these seemingly unrelated names, there are hints of these two interdependent spiritual dimensions: on the one hand, the construction of the external world in which we live; on the other hand, the construction of our own inner world, which cannot be neglected. This book, published by Renmin University of China Press in 2003, has had a significant impact on the development of civil society in China.
Zhang Zuhua is an independent scholar in China. In his early years, he served as a member of the Standing Committee of the Central Committee of the Communist Youth League, Secretary of the Youth League Committee of the Central State Organs. Later, he worked at a private research institute, mainly engaged in political modernization, the theory and practice of constitutional democracy, and China's political reform. He was a key participant in China's Charter 08 in 2008. This book is a collection of his political essays.
The family of Jia Qingyun, a farmer whose ancestors came to Guandong Province, returned to their hometown of Shandong Province with their three children due to the difficulties of life in the Northeast, and settled on the seaside of the town. However, facing the land where their ancestors had lived, they did not have land of their own. Nor did they have a household registration or a house. They can only face the sea and tenaciously start life again. Director Hu Jie records their hardships and their hopes for life.
Published in China in 1989, this book caused a sensation, reportedly selling as many as 300,000 copies. Described as the first "descriptive study" of the reality of China. In order to raise national awareness of the need for environmental protection, it examines the agricultural, environmental, and resource problems that China was likely to encounter in the course of modernization and predicts that the future would likely be even worse. The book was banned immediately after publication.
This monograph by Sun Liping, a professor at Tsinghua University, was published by China Literature Publishing House in 2003. The author systematically analyzes a series of changes in Chinese social life since the 1990s. The book discusses the meaning and characteristics of fractured society; the formation and background of fractured society; widening income gaps and the formation of vulnerable groups; the new urban-rural dual structure; trust crisis and social order; social conflicts and institutional innovation, etc.
This book was originally published in the series *Micro Traces of the Past* - Documentary Volume - No. 6, edited by Huang Heqing, founded in 2007. Gan Cui, a student at Renmin University of China, was classified as a rightist in 1957. He became lovers with Lin Zhao, a rightist student who came from Peking University to work in the data room. Gan Cui was later sent to Xinjiang. When he returned, he learned that Lin Zhao had been killed. This book (in 140,000 words) is a manuscript of Gan Cui's memories of Lin Zhao in the context of the 1989 pro-democracy movement.
This book is a collection of political essays by Nobel Peace Prize winner Liu Xiaobo. It is a sister volume to *Single-Edged Poisoned Sword - A Critique of Contemporary Nationalism in China*, which covers many aspects of Chinese politics, including: one-party dictatorship, powerful capitalism, rights defense, June Fourth, and nationalism.
“In Search of My Homeland” is a collection of essays in three volumes written by Gao Ertai during his exile abroad. In this book, Gao looks back on his life. From his hometown of Gaochun, a small town in Jiangsu Province, to Suzhou, then to Lanzhou, Jiuquan, Dunhuang, Beijing, Chengdu, and the United States, Gao has undergone tremendous suffering, lost his home and family, and finally had to go into exile in a foreign country. Even though the work is widely regarded as having great literary merit, Gao uses real names and places, which makes the work a valuable historical document, especially for describing the Great Famine, and the brutal suppression of intellectual life during the Cultural Revolution at the Dunhuang research academy, which is one of China's most prestigious cultural institutions.
In an [interview](https://web.archive.org/web/20240130211408/https://www.aisixiang.com/data/80804.html), Gao explained why he wrote the book: "Searching for my homeland is nothing but searching for meaning.... Life is short and small, and its meaning can only be rooted in the external world and in the long history. My sense of drift and meaninglessness, that is, a feeling that the world has no order, history has no logic, and the individual has no home, seems to be a kind of destiny. My writing is nothing but a resistance to this destiny."
In 2004, a censored version of the first two volumes of this book was published by Huacheng Publishing House in Guangzhou; in 2011, an updated version was published by Beijing October Arts and Literature Publishing House, but still censored. The version uploaded to our archive is the traditional Chinese version of the complete three volumes published by Taiwan INK Publishing House in 2009.
The tradition of matchmaking is still prevalent in northern rural areas today. This film records the story of Yang Xiuting, a matchmaker living in Guan County, Shandong Province. It describes how, due to economic reforms, rural people went to cities to find work. Subsequently, young people began to choose their own spouses. Thus, the ancient profession of matchmaker not only faces challenges, but also encounters new problems.
Independent director Tiger Temple began shooting this film in 2010 and completed it in 2012, with subsequent revisions. The film features interviews with Lin Zhao's former lover Gan Cui as well as interviews with several independent scholars such as Qian Liqun and Cui Weiping. It is a powerful addition to Lin Zhao's memory. This film was selected as one of the top 20 finalists in the 2012 Sunshine Chinese Documentary Awards.
Luo Xiaojia, a young Yunnan Yi girl was trafficked to the plains of Shandong at the age of 17 and forced to marry a young farmer in the area. The film documents her family life in the unfamiliar Shandong countryside and her longing for home. In her tenth year in Shandong, she finally fights for the opportunity to return home. After a 4,000-kilometer journey, she returns to her hometown of Yunnan and sees her mother, whom she misses day and night. However, she struggles with conflicting emotions, and returns to Shandong with a mountain song that her mother sings for her. This movie reflects the sad fate of trafficked women in China and the social psychology that follows these tragedies.
When the Cultural Revolution broke out, Yang Xiaokai was a senior high school student at No. 1 Middle School in Changsha. On January 12, 1968, he published an article entitled "Where is China Going?" which systematically put forward the ideas of the "ultra-leftist" Red Guards, criticized the privileged bureaucratic class in China, and advocated for the establishment of a Chinese People's Commune based on the principles of the Paris Commune. Yang Xiaokai recalled that his parents were beaten because they sympathized with Liu Shaoqi's and Peng Dehuai's views, and that he was discriminated against at school and could not join the Red Guards. As a result, he joined the rebel faction to oppose the theory of descent. Yang Xiaokai was later sentenced to 10 years' imprisonment for this article. Yang Xiaokai died in 2004. This article is a retrospective of his life.
Chinese intellectual Xu Liangying is a scholar of the history of scientific thought and an active warrior in defense of human rights. He weathered China's most extreme political storms and began to speak out again after China opened up slightly in 1977. This book collects his political speeches between 1977-1999. Originally published by Spiegel Publishing in Hong Kong in 2001, the book was later made into a PDF version by Xu Liangying's family in the hope that it would be circulated online to a wider audience.
In the fall of 2005, residents of Taishi Village became increasingly frustrated and angered by the sale of land by village officials; hundreds of villagers signed a petition calling for the removal of the village chief. The villagers occupied the village committee’s financial office and expressed their demands through sit-ins and other forms of protests. The government dispatched the police to arrest village activists, but the villagers insisted on starting a formal recall process. The government finally sent a team to the village to verify the signatures for the petition.
<i>The Taishi Village</i> recall incident generated attention from Chinese and foreign media, and caused uneasiness among local government officials. On September 12, 2005, police arrested dozens of villagers who were participating in a sit-in in the village committee room. Despite the pressure, villagers elected a committee to remove the village committee director. The government then dispatched more men to exert pressure, forcing elected members to withdraw one by one. Hired patrol teams eventually drove lawyers and reporters out of the village.
This documentary records the protest scenes and tragic ending of Taishi village’s movement for autonomy, and presents the surging rights consciousness in rural areas in Guangdong. This incident demonstrates villagers’ ability to exercise their right to vote and the government’s inertial approach to grassroots democracy movements.
This documentary is in Chinese with Chinese subtitles.
Due to poverty in rural areas in Henan Province—part of China’s Central Plains—many farmers contracted AIDS by selling their blood. This documentary dives into the lives of these AIDS patients, depicting the manner in which they cope with life, officials’ responses, and the stories of volunteers who helped the infected villagers. The filmmaker visited several villages with high incidence of AIDS, interviewing and recording people’s accounts of how the “plasma economy” arose. This documentary presents the living condition of families and individuals, especially women and children, who contracted AIDS due to blood donation and blood transfusions, and demonstrates the formation of grassroots organizations.
This film is in Chinese with both Chinese and English subtitles.
This documentary tells the story of the lives of three families of coal miners in the mountains of eastern Sichuan. Winner of the 35th Margaret Mead Movie Director's Award in 2011. Directed by Liu Yuanchen.
He Jiadong is a Chinese publisher. He joined the Chinese Communist Party at an early age. After 1949, he founded the Workers' Publishing House, one of the propaganda mouthpieces of the CCP. In 1957, he was designated as a rightist and later labeled as an anti-Party element. In 1965, Kang Sheng criticized him. He was sent down to Chengwu County in Shandong Province, where he was put under local control for 14 years. During the Cultural Revolution, he was taken back to Beijing and criticized, which affected his family and led to the unnatural death of his mother and two sons. In 1979, after the rightist was corrected and completely rehabilitated, he became the executive vice-president and deputy editor-in-chief of the Workers' Publishing House; in 1983, he founded the monthly <i>Rensheng (Life)</i>. In 1984, he founded <i>Kaituo (Pioneering)</i> magazine. He was investigated for publishing Liu Binyan's <i>The Second Kind of Loyalty</i>, and resigned from his post in 1985. The above weekly newspapers, bimonthly magazines and websites were all suspended and closed by the authorities. He has written a large number of articles exploring China's development path from the end of authoritarianism to constitutional democracy. He himself had a 60-year career as a "red publisher" but never had the freedom to publish. Even his own collection of essays was never published. Until the end of his life, he never saw a printed volume of his essays—the printed books were seized and confiscated by the Chinese authorities.
The book can be purchased <a href="https://www.fellowspress.com/shop1/p/-4"> link</a>.
This movie records how Zhang Xianzhi went from being a soldier to a prisoner and then to an independent writer. His experience and thought process is compared with that of the Russian writer Solzhenitsyn. The title of the film is taken from the title of Zhang Xianzhi's book <i>Anecdotes from the Gulag</i>, which takes the viewer on a journey to China's Gulag Archipelago, a labor camp in Sichuan. The extreme conditions and little-known tragic history of the camp are presented. The movie is 42 minutes long and was filmed in 2012.