Few books on recent Chinese history have caused such controversy as "The Tiananmen Papers". The book is ostensibly a collection of original documents compiled by Zhang Liang, a pseudonym for someone claiming to be a high-ranking CCP official who leaked the papers. The book’s credibility was aided by it being edited by two well-known western scholars of China, Perry Link, then of Princeton University and now of the University of California, Riverside, as well as Columbia University professor Andrew J. Nathan. An introduction was written by Orville Schell, a well-known writer on China who was then a professor at the University of California, Berkeley.  Almost immediately upon publication, the book was criticized for its unclear provenance, a point aided by Zhang Liang’s anonymity. Most scholars agreed that the papers were a mixture of previously released documents from government offices, which were uncontroversial, and accounts of meetings between senior leaders. The latter came under scrutiny, with some saying that the language appeared stilted or seemed to mix in language used in leaders’ public speeches.  This essay by the well-known Hong Kong publisher Bao Pu points out that since 2004, most people seem to feel that the issue of provenance will never be settled but that the documents are still important historically. Bao critiques this, using books published over the past two decades to update the question of authenticity. In careful language, he further questions key points of the documents, showing that they do not match new material, such as memoirs. Bao's conclusion: the Tiananmen Papers are not documents from the CCP’s archive, which is their claim, but rather works of dubious origin that cannot be used to better understand the events leading up to the massacre of civilians on the night of June 3-4, 1989. The top-secret documents, Bao writes, are a “phantom” that must not be used as building blocks for history.

The author Wang Ming was an early member of the Communist Party of China (CCP) and the first of the "28 and a half Bolsheviks," who lost power after the Yan'an Rectification and were gradually marginalized by Mao. After the Yan'an Rectification, the Internationalists, led by him, lost power in the party. He was gradually ostracized by Mao Zedong, who expatriated him to the Soviet Union in 1956. In his book, Wang Ming recounts his decades-long feud with Mao. It provides a fascinating insight into the early history of the CCP.

Independent director Tiger Temple began shooting this film in 2010 and completed it in 2012, with subsequent revisions. The film features interviews with Lin Zhao's former lover Gan Cui as well as interviews with several independent scholars such as Qian Liqun and Cui Weiping. It is a powerful addition to Lin Zhao's memory. This film was selected as one of the top 20 finalists in the 2012 Sunshine Chinese Documentary Awards.

In 1960, a group of faculty and students from Lanzhou University, who had been labeled Rightists and sent down to rural areas in Tianshui, Gansu, personally experienced the Great Famine. They self-published <i>Spark</i> magazine to expose and criticize the totalitarian rule that led to this catastrophe.<i>Spark</i> only published one issue before its participants were arrested and labeled as a counterrevolutionary group. Many were sentenced to long prison terms, and some were even executed. <a href=“http://108.160.154.72/s/china-unofficial/item/1759#lg=1&slide=0”>The first issue of <i>Spark</i> and more information about the "Spark Case" can be read here</a>. <i>Return from Purgatory: A Survivor’s Memoir of the ‘Spark Case’ in the Great Famine Years (1957–1981)</i> is the autobiography of Xiang Chengjian, a key participant in <i>Spark</i> magazine. At the time, he and another student were responsible for printing the first issue, and he contributed six articles to <i>Spark</i>. Due to his involvement, he was sentenced to 18 years in prison for his role in the Spark case and was not rehabilitated until the early 1980s. This memoir is divided into three sections, with a total of thirteen chapters spanning over 350,000 characters. It documents Xiang’s journey from being labeled a Rightist and sent to perform forced labor, to his arrest and 19-year imprisonment for his involvement in <i>Spark</i>, and finally to his struggle for rehabilitation and efforts to rebuild his life after release. In the book’s preface, scholar Ai Xiaoming offers the following assessment: "Xiang Chengjian’s memoir holds significant value for the study of the intellectual history of contemporary China. First, it serves as another important testimony of the “Spark Case”, following Tan Chanxue’s memoir <i><a href=“”>Sparks: A Chronicle of the Rightist Counter-Revolutionary Group at Lanzhou University</a></i>, making it a crucial historical document on this act of resistance. The author reconstructs the social context before and after the case and describes how the young intellectuals behind <i>Spark</i> bravely challenged totalitarian rule. Second, the book provides a detailed account of labor camps in western China, with the author documenting his 18 years of forced labor in Gansu and Qinghai, unveiling a western chapter of China’s Gulag system. Third, it is a deeply personal intellectual history of a resister, showing the immense suffering, trials of life and death, and personal resilience under the crushing force of state violence." The book’s appendix includes Xiang Chengjian’s six articles for <i>Spark</i>, an in-depth investigative report on him by journalist Jiang Xue, and a chronological record of the Spark Case compiled by Ai Xiaoming. <i>Return from Purgatory</i> is published by Borden Press in New York and is the first book in the “People’s Archives Series”, published by the China Unofficial Archives. The author, Xiang Chengjian, has generously authorized the archive to share the book’s digital edition. Readers are encouraged to purchase the book to support the author and publisher.

A five-part documentary by the filmmaker and feminist scholar Ai Xiaoming on the persecution of inmates at the Jiabiangou labor camp in Jiuquan, Gansu province, where more than 2,000 people died. The movie includes interviews with the few remaining survivors and documents efforts to commemorate the dead. The director interviewed survivors of Jiabiangou and the children of the victims and listened to their stories about the past; she also found former correctional officers and their descendants to understand the causes of labor camps and the Great Famine from different angles. Shot by Ai and a team of volunteers, the film presents the conflict between the preservation and destruction of memory.

Hu Jie narrates the life of Lin Zhao, a Christian dissident who was condemned as a Rightist in the late 1950s and executed during the Cultural Revolution. Prior to becoming a mentcritic of the government, Lin Zhao was an ardent believer of communism. She demonstrated talent in writing and speaking as a star student in Peking University. However, after criticizing the government in 1957 during the Hundred Flowers Campaign, she was cast as anti-revolutionary. Despite the government’s attempts to silence her, Lin Zhao continued to speak and write publicly, including contributing two epic poems to Spark, an underground student-run journal. In 1960, she was arrested, and despite being released briefly in 1962, spent the rest of her life behind bars, under extremely poor living conditions. Nevertheless, she continued to write in prison, sometimes with her blood. In 1968, at the age of 36, she was executed by a firing squad. In this documentary, Hu Jie showcases many of Lin Zhao’s surviving writings and poetry. These pieces often contain criticisms of the communist regime, as well as commentary on policy issues pertaining to labor and land reform. In making this film, Hu Jie traveled around China to interview friends and associates of Lin Zhao, who knew her as a student, activist, or prisoner. This documentary includes excerpts from interviews with them, which inform us about Lin Zhao’s personality and motivations. This documentary has contributed to a widespread revival of interest in Lin Zhao, who had almost become a forgotten figure until the film’s appearance.

The documentary "Ram" was filmed by independent director Tiger Temple in 2016 and is available here in a revised version by the author in 2021. The film documents a real-life incident that took place in Xi'an during the "1983 crackdown". The encounter of the artist Gong Yang (real name Li Xiaoming), the main character of the documentary, is quite representative. It reflects the cruelty and absurdity of the "1983 Crackdown" political campaign launched under the direction of Deng Xiaoping.

In 1959, in the desolate Lingyuan area in the western part of Liaoning Province, a group of intellectual rightists from the Shenyang University arrived. There, they were to labor and be reformed alongside criminal prisoners in the prison, while digging mines to build railroads. How did the Communist Party reform the intellectuals? What kind of encounters did these rightist intellectuals go through? Hu Jie's camera restores this history.

On August 5, 1966, Bian Zhongyun, a 50-year-old vice principal of the Girls High School affiliated with Beijing Normal University, was beaten to death. The murder was by some of her students, a group of female Red Guards from the school. Bian was the first educator to be killed in Beijing during the Cultural Revolution. The night Bian was killed, Deng Xiaoping's two daughters, Deng Nan and Deng Rong, found Bian's husband and told him that they could only say that Bian died of high blood pressure due to illness, but not that Bian was killed. In the end, no one was criminally prosecuted. This film is widely regarded as one of Hu Jie's most famous for its portrayal of Bian's husband, Wang Jingyao, and his efforts to document his wife's murder. Follow director Hu Jie on his <a href="https://www.youtube.com/@jiehu6613">YouTube channel</a>.

The author of this book, Luo Pinghan, is a native of Anhua County, Hunan Province. He graduated from the Party History Department of Renmin University of China and served as director and professor of the Party History Teaching and Research Department of the Party School of the Central Committee of the Communist Party of China. This book was published by Fujian People's Publishing House in 2003. With Mao Zedong's affirmation, the system of people's communes was rapidly promoted across the country in 1958. At that time, the people's commune was both a production organization and a grassroots political power. Its rise and fanatical development are closely related to the subsequent Great Famine.  As a scholar within the system, the author’s view of history also belongs to orthodox ideology. Although this book is narrated from the official ideology of the CCP, it uses rich and detailed historical materials to comprehensively and systematically introduce the history of the People's Communes, giving it a reference value for a comprehensive understanding of this movement.

Lin Zhao, formerly known as Peng Lingzhao, a native of Suzhou, was admitted to the journalism department of Peking University in 1954, but was classified as a Rightist in 1957. She was arrested and imprisoned in October 1960 because of her involvement with the underground magazine <i>Spark</i>. In 1965, Lin Zhao was sentenced to 20 years' imprisonment for "counter-revolutionary crimes." On April 29, 1968, she was sentenced to death and executed on the same day at the age of 36. This book is a collection of more than sixty articles written in memory of Lin Zhao.

The Tiananmen Square massacre on June 4, 1989 and the subsequent mass arrests and purges created tens of thousands of June Fourth victims. Among them were June Fourth victims who fell into a pool of blood, the June Fourth disabled who were shot, the families of the June Fourth victims and the severely disabled, the June Fourth prisoners of conscience who were sentenced to imprisonment or re-education-through-labor, and the June Fourth victims who were subjected to other political persecution. On the occasion of the 20th anniversary of June Fourth, as part of Chinese civil society's efforts to recover the historical truth and rebuild historical memory, this report gives a basic description of the suffering of the June Fourth victims and their arduous journey over the past 20 years. It also analyzes the systemic factors that have contributed to the victims' suffering and proposes corresponding recommendations on how to change their living conditions.

In 1957, two hundred teachers, students, and cadres from Kunming, Yunnan were among the hundreds of thousands of Chinese people labeled as “Rightists” for criticizing the Chinese Communist Party. They were sent to the East Wind State Farm, located in Mi-le County in Yunnan, for 21 years of “thought reform” in the countryside. These inmates witnessed the policies of the Great Leap Forward first-hand: they took part in deforestation, agricultural, and industrial projects in the countryside, which precipitated the Great Famine. Later, during the Cultural Revolution, their camp was visited by large groups of youths “sent down” from the cities, who worked on the farm with the “Rightists.” In 1978, these “Rightists” were finally rehabilitated and allowed to leave. This documentary examines the policies and campaigns of the Maoist era through the eyes of those who were persecuted and exiled. Director Hu Jie pieces together this long and complex story through collecting dozens of extensive interviews with inmates as well as staff who served through decades of the camp’s existence. These people’s vivid memories and personal accounts shed light on the harrowing lifestyle of not only the two hundred “Rightists” of East Wind State Farm, but also the scores of dissidents and youths who experienced the Great Leap Forward and the Cultural Revolution.

<i>Spark</i> tells the story of a group of young intellectuals who risked their lives to voice their opinions about the Chinese Communist Party in the 1950s and 1960s. Following the Hundred Flowers Campaign of 1957, many intellectuals were branded as Rightists and banished to work and live in rural China. A group of students from Lanzhou University were among those sent to the countryside. There, they witnessed mass famine which resulted from government policies to collectivize agriculture and force industrialization in rural China. Shocked and angered by the government’s lack of response to the Great Famine, these students banded together to publish <i>Spark</i>, an underground magazine that sought to alert the Chinese population of the unfolding famine. The first issue, printed in 1960, included poems and articles analyzing the root causes of failed policies. However, as the first issue of <i>Spark</i> was mailed and the second issue was edited, many of these students, along with locals who supported the team, were arrested. Some of the key members of the publication were sentenced to life imprisonment and later executed, while others spent decades in labor camps. In this 2014 documentary, Hu Jie uncovers the stories of the people involved in the publication of <i>Spark</i>. He conducts interviews with former members of the magazine who survived persecution, and also shows footage of the manuscripts of the magazine. A digital copy of the original manuscript of the first volume of <i>Spark</i> is also held on our website. This film was awarded the Special Jury Prize for Chinese Documentary at the 2014 Taiwan International Documentary Film Festival and the Award of Excellence in the Asian Competition. Later, it won the Independent Spirit Award at the Beijing Independent Film Festival.

This documentary interviews painters, Red Guards, as well as current collectors and researchers in China and the United Kingdom. It presents the emergence, spread, and impact of the propaganda posters during the Cultural Revolution. The film includes interviews with Liu Chunhua, the author of Chairman Mao Goes to Anyuan, Guangzhou painter Li Xingtao, Guangzhou old Red Guard Zhou Jineng, and others. Art museum personnels, art critics, journalists, professors, and researchers in both China and the United Kingdom speak about their understanding of the art of the Cultural Revolution from various perspectives. This film is in Chinese with both English and Chinese subtitles.