Before carrying out the protest, Peng Lifai had published a strategic guide for strikes and boycotts on ResearchGate. This 20-chapter document, spanning 21 pages excluding the cover and table of contents, summarized Peng's personal political ideas and served as an explanation of his actions. Read English summary <a href="https://chinachange.org/2022/10/19/bridge-man-peng-zaizhous-mission-impossible-and-his-toolkit-for-the-removal-of-xi-jinping/">here</a>. The first chapter, "Strategy for Protesting Against National Traitors," explains that the purpose of strikes and boycotts is to oppose Xi Jinping's unconstitutional re-election and to push China toward democracy, freedom, and prosperity. It also outlines the methods of protest, including decentralization in the early stages, organizing communities and universities into networks, and using information and non-violent means to spread the message rapidly. Proposed methods of protest include honking car horns, strikes, boycotts, hanging banners, distributing leaflets, burning tires, and setting up roadblocks. In the second chapter, "Opposing Xi," Peng Lifai wrote a humorous poem. The third chapter, "A Letter to Fellow Countrymen," enumerates the regressions in Chinese society under Xi Jinping's rule, drawing connections to China's history of power transitions, uprisings, and political changes. He criticizes the oppressive nature of the "zero-COVID" policy and calls for resistance from various groups, including soldiers, police, party members, the media, unemployed and bankrupt individuals, entrepreneurs, civil servants, university students, and intellectuals. Peng emphasizes the need for soldiers, police, armed police, and government officials to receive the protest message, hoping for leaders like General Cai E from the Republic of China era, who opposed Yuan Shikai’s imperial ambitions, to rise and help remove the dictator. He writes, "Fellow countrymen, we are the masters of the People's Republic of China. If we remain silent, we will all become slaves to the dictator. For the right to vote, for fairness and justice, for freedom and democracy, for ourselves and our future generations, let us embark on a new national defense movement." The fourth chapter, "Long Live the Ballot Song," calls for national elections for people's representatives and officials. It includes a cartoon designed by Peng, turning a nucleic acid testing booth into a polling station, with the caption: "We’ve been pretending to vote for three years. Just place a ballot box at the testing site." The fifth chapter, "Who Are We," lists China's marginalized groups, including migrant workers, lower-class citizens, flexible workers, unemployed graduates, education sector employees, low-income populations, small businesses, and left-behind children. It concludes with Peng’s statement: "We need to be our own masters. We don’t need to live in a cage." Chapters six and seven discuss Peng’s vision for a Chinese Communist Party Free Election Committee and a National People’s Election Committee, along with the constitutional and party statute bases for these political concepts. Chapter eight provides an explanation of the relationship between government, state, and citizens. Peng compares the relationship between citizens and the state/government to that of property owners and property management companies. He writes, "I do not owe gratitude to the property management company, because I am the owner who pays the property fee. I am its master, and it is my servant." Subsequent chapters describe Peng’s vision for a new government and its key policy demands, including ending mandatory nucleic acid testing, implementing "Charter 08" (a manifesto supported by Nobel Peace Prize laureate Liu Xiaobo), reducing taxes, and reforming state-owned enterprises. He concludes by quoting imprisoned lawyer Xu Zhiyong’s "Letter to Xi Jinping," once again expressing opposition to Xi’s re-appointment as leader. In the copyright statement, he encourages readers to share the guide widely.

During the three years of the "zero-COVID" policy enforced by Xi Jinping's government, the daily life and freedoms of the people were severely limited. A fire in Urumqi, Xinjiang, finally ignited public dissatisfaction with the measures. On November 26, 2022, when the people of Shanghai spontaneously gathered in the streets to mourn the victims of the fire, no one expected that this memorial activity would lead to nationwide protests against the pandemic policies. At the scene, Chen Pinlin and his girlfriend, Wang, filmed many protest videos at the protest site on Urumqi Middle Road in Shanghai. In November 2023, on the anniversary of the White Paper Movement, Chen Pinlin uploaded the documentary to YouTube and other social media platforms, garnering hundreds of thousands of views. Less than a week later, he and his girlfriend were arrested. His girlfriend was released on bail, while Chen Pinlin remained in custody. <a href=“https://tenchu.org/pocd/public/pocs/3551”>Chen Pinlin introduced the documentary as follows</a>: "I am the director Plato. In November 2022, I personally participated in the protest on the night of November 26 in Shanghai. This was my first involvement in a political event in China, and it was also the first time I expressed my political demands in China. Besides the footage I personally filmed on that day, the film also includes iconic video materials from before and after the protest. I tried to present a complete picture of how the dynamic zero-COVID policy pushed China to the boiling point and prompted people to take to the streets to protest. After the event, the Chinese government distorted the facts and maliciously smeared the protests in Shanghai and the White Paper movement, misleading many people into thinking that the protests were the work of foreign forces. But is this really the case? On the first anniversary of the Shanghai Urumqi Road protest, I created this documentary, “Urumqi Middle Road”, to record my personal experience and feelings of participating in the protest. I want to explore why, when internal contradictions appear in China, foreign forces are always blamed? Everyone knows the answer. The more the government misleads, forgets, and shields the truth, the more we must speak out, remind people, and remember. Remember the White Paper, remember November 26, remember Urumqi Middle Road, remember the Xinjiang fire, remember the Guizhou bus, remember dynamic zero-COVID, remember the 'big white' (the white-suited workers), remember Tiananmen, remember the Cultural Revolution, remember the Three Years of Great Famine. "By remembering the ugliness, we can turn our hearts toward the light. I also hope that China can soon embrace its own brighter future." At the end of this movie, Chen left this narration: Some people say, what is the point of protesting on the streets? In the end, it's still the same, suppressed, shielded and misinterpreted. But as Churchill said, ‘Courage is the most important human trait, with courage, other human traits can naturally be possessed' We lacked experience and have been cowardly and wavering, but today we have the courage to stand up and to speak out. What we lacked this time, we can do better next time. If I were to do it again, I would still choose to be there. Because a government that is afraid of even a white paper can't defeat the justice in the hearts of the people. On January 5, 2024, Chen Pinlin was formally arrested on suspicion of "picking quarrels and provoking trouble" and detained at Baoshan District Detention Center in Shanghai. On January 6, 2025, Chen Pinlin’s first trial was held in the Third Court of Baoshan District Court, where he was sentenced to 3 years and 6 months in prison. His sentence will end on May 27, 2027.

In the spring of 2022, a wave of COVID-19 exploded in Shanghai. Under the policy of “Zero COVID,” 24 million residents were put under forced lockdown. Filmmakers and reporters used their phones, televisions, the internet, and other materials to capture scenes of lockdown and disputes between officials and civilians in Shanghai. Producers of this short film titled <i>The Memo</i> believe that it is necessary to record this historic episode in order to prevent our memories from fading away. The production team, which was founded in 2020, strives to create works about the lower classes of Chinese society. <i>The Memo</i> was nominated for the Clermont-Féron Short Film Festival.