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Fengming, A Chinese Memoir is director Wang Bing's second feature-length documentary. The film primarily recounts the long and tragic experiences of an individual in China from the late 1940s to the 1990s, as narrated by the protagonist, He Fengming. In 1949, with the founding of the People’s Republic of China, 17-year-old He Fengming enthusiastically dedicated herself to the socialist construction of the new nation. She and her husband worked as journalists at a provincial newspaper. In 1957, the Chinese Communist Party launched the Anti-Rightist Campaign. After her husband published three articles in the provincial newspaper, he was labeled a "rightist." She, too, was implicated by her husband and also branded a rightist. During several months of denunciation and struggle sessions, she endured such torment from others that she attempted suicide multiple times, but failed. One evening, returning home, her husband held her, and for the first time, his tears fell on her shoulder. In April 1958, He Fengming and her husband were forcibly sent to two different labor reform farms in western China to undergo thought reform through labor. During her two and a half years at the farm, she experienced grueling physical labor, hunger, death, and psychological devastation. In 1960, she received a letter from her father informing her that her husband's life was in danger. She tried everything to find some food and, braving heavy snow, rushed to the farm where her husband was working. However, her husband had already starved to death. For the next 20 years, He Fengming lived precariously, labeled as a rightist and raising her two young children, until her rehabilitation in 1979. In 1991, she returned to the labor reform farm where her husband had died, hoping to find his grave, but ultimately she did not succeed. In her later years, undeterred by external pressures, He Fengming used her pen and tears to document her painful life. In 2007, the film won the Grand Prize in the International Competition section at the Yamagata International Documentary Film Festival in Yamagata City, Japan.

In May 1955, Mao Zedong launched a nationwide campaign to “purge the counterrevolutionary clique of Hu Feng,” which is widely regarded in academic circles as the first large-scale Literary inquisition after the founding of the People's Republic of China. Hu Feng, the central figure of the campaign, was a poet, critic, and translator. Inspired by Lu Xun, who was regarded as the most influential Chinese writer associated with the May Fourth Movement, Hu devoted himself to the revolution in pursuit of people's liberation. Considered the successor of Lu Xun's New Literature Movement, he was the head of the propaganda of the League of Left-Wing Writers, and founded the magazines July and Hope, through which he trained a large number of progressive left-wing poets and writers. However, Hu became a target of Mao Zedong's campaign because he upheld the critical spirit of Lu Xun and insisted that writers should be independent rather than mouthpieces of the Communist Party. According to official statistics, during the campaign against Hu Feng, 92 people were arrested, 62 were subjected to solitary confinement, 73 were suspended from their jobs, and 2,100 were implicated. Although only three people, including Hu Feng, were formally sentenced, many labeled key Hu Feng elements endured decades of imprisonment and reeducation through labor. Director Peng Xiaolian's father, Peng Baishan (then a member of the League of Left-Wing Writers and head of the propaganda of the Shanghai Municipal Party Committee), was also subjected to severe persecution, and in 1968 was beaten to death for being the “spokesman of the Hu Feng counterrevolutionary group within the Party. Starting in 2003, Peng Xiaolian and S. Louisa Wei visited more than 20 survivors of the anti-Hu Feng campaign. They also spent more than five years filming and producing Storm under the Sun. Through audio recordings of Hu Feng, interviews with survivors, family members of the victims, and scholars, the film presents from beginning to end how the anti-Hu Feng campaign unfolded, as well as the immense physical and psychological trauma that it imposed on the victims and their families. As the first film to document the anti-Hu Feng campaign, Storm under the Sun tells the stories of these lesser-known left-wing poets and writers and how they participated in the revolution through their literary work. At the same time, the film demonstrates how the multiple political campaigns against intellectuals during the Mao era were one and the same, unified under the overarching goal of controlling thought and eradicating dissent.